Welcome to Writers Resist Fall 2026

This issue was hard to build. Hard, because the works herein are such powerful representations of the brutal conflicts through which we are slogging, seemingly ever increasing. Still, such vivid reminders are sometimes gifts.

These works reflect 27 saviors distributing words as lifesavers.

From our own Debbie Hall’s conflicted photograph, “Found Art,” to the many pieces demanding trans justice to the exultation of calls to action, they lend hope. Hope, rage, love, humor. We need them all to sustain the resistance. And, perhaps, we might receive some resolution when U.S. voters cast their values on 03 November.

In the meantime, as the image above demands, borrowed from Chelsie Zuccollo’s excellent call to action in “Smash, Build, Rise,” we must—and we will continue to—RISE UP.

On Saturday 14 November at 5:00 pm PACIFIC, we will host this issue’s virtual reading, Writers Resist Reads, at which we envision a bit of celebrating. Please email us at writersresist@gmail.com for the Zoom link.

And so, we welcome you to our hard and powerful Writers Resist Fall 2026. Please read and share your thoughts with these brilliant resisters.

Found Art by Debbie Hall

Two Poems by Marcy Rae Henry

Cost of Living by Nana T. Baffour-Awuah

Testifying with My Daughter Against Missouri SB597 by David Tager

After Roe Was Repealed by Jennifer Karp

Cherry Blossoms by Beck O’Leary

EXPO Marker by Jennifer Elise Wang

Girl (an erasure) by Elizabeth Mercurio

My Rape Wasn’t a Choice by Alberto Lau-Chang

Lemonading by Victoria Melekian

Letter to Self by Joycelyn Zhang

Monarch by Deanna Altomara

transcription by olive bly

On Viewing the Porn Trading Cards Catalogue (1925–2025) by Rachel Lincoln Sarnoff

If Only There Were No Trans Kids by Mitch Roshannon

Silence by Isla Laust

Three Poems by Tushar Sen

Coincidence by Minnie Bartlett

Two Poems by Mia Leonin

The Shirt by Elizabeth B. Morse

Smash, Build, Rise by Chelsie Zuccollo

Aunt Annie’s Recipe for the Resistance by Jane Frances Gilles

“There Will Be Casualties” by Ashley Mace Havird

Static Between the Folding Tables by Fendy S. Tulodo

To my father, whose mother tongue is a village dialect by Anonymous

The Most Radical Protest Right Now Is Handmade by Amanda Jackson

Two Poems by Susanna Lang

A Note from Writers Resist
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Found Art by Debbie Hall


Artist’s Statement

My twin creative passions are poetry and photography. Both pursuits involve close attention and discovery—new ways of seeing and understanding. I’ve always been fond of juxtaposition in my writing and in the visual art of photography. In this photo of the back of a heavily etched restroom stall door, I was struck by the seemingly contradictory statements of “Fuck Ice,” and “Be Kind.” And yet, this is where we find ourselves these days.


A Note from Writers Resist
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Two Poems by Marcy Rae Henry

the last poem in Spanglish

i feel somebody creeping up behind me
in English. looking for land.  maybe just earrings.
maybe all the property from Park Place
to St. James.  maybe just me.
i wanted to say no in their language
wanted to say: poesía.
pero poetry is just playin.
i am well aware of my privilege on paper.
that is where i work it.
so many women before me.
some sisterhoods i don’t want to belong to.
they want to tear me open para ver lo que
está adentro. separate wheat from chaff.
chicana from white. more than part oppressor
part oppressed, i am aquí and i am allá. 
none of this is happening in my soul.
so the police will never know.
i’ve the scent of the dogs on me. been to a place
where la verdad es una enfermedad.
used a noun for a verb and a verb for a fork.
i’ve canceled all my subscriptions
prescriptions my condiciones and chingadera.
i’m ready for them to pull on my tongue
until it resembles a tombola.
so it stops rrrrrolling the r’s and elooongating
the vowels. so i will stop hiding pills underneath.
the princess and the pill. peel off my chemical.
tell me how to pronounce it and everything
sounds like sixty percent off. i have been
Eva, La Llorona, La Malinche, una chica
pinche loca pichinche escuincle picosa picara
cara barata ingrata graciosa grandiosa acuosa
but no one wants a poem wet with tears.
some people want a three-legged dog.
three-dollar words. pennies to put
over our dog’s eyes when they die and traverse
el Río Grande on their own. into the sticks.
over the river and through the woods to Mictlan-
tecuhtli’s house we go. i thought i was
aquí to be both. to bounce. pero ya no hay
dos bandos. there is only one coin. 
one myth. 
we forget when we are born
because we’d want to unbecome.
which is why they say we are unbecoming.
they say you can still paint but only in one color.
when i have decided i will come to them in a dream
and their dreams will always be
in the color of my choosing.
every day día de muertos.
sometimes you have to rise christ-like like dawn
like bread. one day i’ll be the vernacular
in their backseat. y que me ven en el espejo.
maybe the vernacular will be illegal and out on bail.
maybe i’ll just sigh loudly.
chew the fat. or suction it out.
ignore the symptoms.
the need to turn a star
into something that rhymes
with the sun. or the sun into my soul.


day in the life as sonnet

do you know color is just a trick of light?
why do we have to return to México?
why can’t México return to us?
why don’t we talk anymore?
why did you change the locks?
where is my daddy?
what are you doing here?
     what  are  you   do-ing    here?
          you know    youdon’tbe long?
                       where’s yur papers?
                 where the fuck you comin from?
no no no where thefuck  you fromfrom?
          i said: where are fuckin your hands?


Marcy Rae Henry is a multidisciplinary Xicana artist from the Borderlands who’s had motorcycle crashes in Mexican-America, Turkey and Nepal. She is the author of death is a mariachi, winner of the May Sarton NH Poetry Prize and CHIRBY (Chicago Review of Books) finalist,  (Bauhan Press), when to go to the Taj Mahal (Bottlecap Press), the body is where it all begins (Querencia Press), dream life of night owls, winner of the Open Country Chapbook Contest, (Open Country Press), and We Are Primary Colors (DoubleCross Press).  Her work has received a Chicago Community Arts Assistance Grant, an Illinois Arts Council Fellowship, four Pushcart nominations, first prize in Suburbia’s Novel Excerpt Contest and Kaveh Akbar recently chose her fiction collection as a finalist for the George Garrett Fiction Prize. MRae is professor of English, literature and creative writing at Wright College Chicago, a Hispanic Serving Institution, where she serves as Coordinator of the Latin American Latino/x Studies Program and received Phi Theta Kappa Honor Society’s 2023-2024 Outstanding Educator Award.  She is a senior editor for RHINO and a digital minimalist with no social media accounts. 

Photo credits: Rio Grande River by Jonathan Saleh on Unsplash, and Handcuffs by picturexv via a Creative Commons license.


A Note from Writers Resist
Thank you for reading! If you appreciate creative resistance and would like to support it, you can make a small, medium or large donation to Writers Resist on our Give a Sawbuck page.

Cost of Living

By Nana T. Baffour-Awuah

I crush my soul and sell it for less than $3,500
It costs $132 to make it across town to that job I hate
Food swallows $275 before I have tasted it
The IRS demands $839 like a thief with morals
I must cough up $1,600 for the roach-box I have stuffed my entire world into
And then $218 is sacrificed at the altar of necessities utilities
I can’t afford to dream of the $54 steak I serve strangers every day
The $8 lattes from the cafe next door are out of my reach
And all of the $187 I pay to insure my health can barely buy me hope
So, each month, I tally up my total:         
                                                        a cent of hope I cling to
                                                        a dime of despair I cannot discard
                                                        a wallet full of fear, ravenous
                                                        a ballot of rage, waiting to be cast


Nana T. Baffour-Awuah (he/him) is a Ghanaian writer and editor currently based in New York. His poems, short stories, and essays have been published in Brittle Paper, Chronogram, Gotham Literature, North Meridian Review, HuffPost, Sierra Nevada Review, and elsewhere. His work has been anthologized, most recently in Creative Stillness (Gatekeeper Press, 2026) and Smitten with the Written (Arcana Poetry Press, 2026) and has also been longlisted for the Coppice Prize. He edits for The Hummingbird and reads for Callaloo. Nana is working on his first book. Follow him on Instagram: @whatnanawrote.

Photo credit: Photo by Anne Preble on Unsplash.


A Note from Writers Resist
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Testifying with My Daughter Against Missouri SB597*

By David Tager

My pink-haired teen’s story quivers, thins to a plea, helpless.
Senators frost like glass, pick lint from suits, render words helpless.

Bored chins cede the mic: a matronly lawmaker probes my child
on bathrooms, asks about her genitals. We suck breath, helpless.

A gavel pounds out protest, insists my child is a threat other
daughters must not imagine. Meanwhile, she clenches pee, flees helpless.

When my turn comes, I lean into my physician gravity, release 
a well-honed skein of facts that fly through the hall, then fall helpless.

No matter how you ask, disdain won’t dance. It either looks away
or stuffs into closets. Child, don your hoodie, don’t reel helpless.

Marsha, Sylvia, Miss Major defied hum and hammer of worse
weather. I vow pink hair, dance with you on the steps to ditch helpless. 


*Notes: Marsha P Johnson, Sylva Rivera and Miss Major Griffin-Gracy were trans women of color who led the Stonewall Uprising and remained lifelong activists for LGBTQ+ rights. The death of Miss Major (10/13/25) was on my mind when I listened to the horrific recordings of Missouri senators questioning teens who testified against SB 597, the 2025 bathroom bill. The bill would have passed but never came to a vote because of other legislative business. In 2026, three bills (HB2075, HB1893, HB2536) that would restrict bathroom use to sex assigned at birth regardless of current gender expression/identity were put forward in Missouri. Local LGBTQ+ advocates decided not to invite live testimony due to the treatment of trans individuals who testified against SB597 in 2025. However, to date none of three new bills have had a hearing in the Missouri House of Representatives, and SB 597 died in committee.


David Tager’s poetry, fiction, creative nonfiction and translation have previously appeared in journals such as I-70 Review, The Kenyon Review, The Crescent Review, and Manoa: An International Journal.

Photo credit: Glendale United Methodist Church – Nashville, TN


A Note from Writers Resist
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After Roe Was Repealed

By Jennifer Karp

Breasts —as if syllables of flesh
          rewrote the law, a pulse hammered
in DNA scrawled in an alphabet

that cannot be read. Our drums
          go forth, persist. We spit teeth
into the ballot box, heels cracking

on broken regulations, carry on, fall,
          marrow pounding, lineage cheering under skin.
As if policy bent around a body

too curved for their angles,
          hips detonating committee chambers
with a sway and swing, air forced

into rooms starved for it. We stretch new ink,
          no need for a branch to land on;
the line items didn’t remember our skin,

supple and warm. We answer with daughters,
          through a checkbox too soft to hold
an ache that won’t stay in ( )


Jennifer Karp is a disabled writer, and was short-listed in the 2025 Bridport Poetry contest, won first prize, runner up, and honorable mention in the 2025 International Memoir Association’s inaugural poetry contest, won honorable mention in the 2023 and 2025 Kowit poetry contest, and was a winner of the 2022 San Diego Reader poetry contest. Her work had been published abroad and domestically. She lives in San Diego.

Photo credit: Handmaid by Julie Blair via a Creative Commons license.


A Note from Writers Resist
Thank you for reading! If you appreciate creative resistance and would like to support it, you can make a small, medium or large donation to Writers Resist on our Give a Sawbuck page.

Cherry Blossoms

By Beck O’Leary

                                         (CW: Contains significant transphobia and gun violence in a school setting)

The dress had a sweetheart neckline and delicate satiny sleeves that rested just off the mannequin’s shoulders. The bodice was white and fitted, and the skirt was padded by at least two layers of ruffled lining. Little pink flowers decorated the skirt, sparse at the waist, then more and more crowded until the last few inches above the hem were entirely saturated with pink. Cherry blossoms.

Andie couldn’t stop staring. Her fingers itched to reach out and feel the silky fabric between her fingertips. What would it feel like against her skin? Would the gauzy lining itch against her bare legs or would it be gentle as a whisper? How would she—

Bzzt.

She flinched. Reached up to touch her temple. The chip embedded in her skin tingled with the aftereffect of the shock. It had been a small one. A warning.

“Andrew?”

Even without looking, Andie could hear the forced smile in her mother’s voice. She shoved her hands deep into the pockets of her jeans and adopted her best scowl as she turned around. “What?”

“What are you doing in the women’s section, honey?” Her mom’s eyes flicked over Andie’s shoulder, no doubt to see what she’d been admiring.

Shopping with her mom had never been Andie’s favorite pastime, but it had been absolute hell ever since she’d gotten her chip. Before, she’d been able to pass off her interest in women’s clothes as an interest in fashion. Plenty of men went into fashion. She’d even asked to be signed up for art classes at the community center and started keeping a sketchbook full of color palates and design ideas. But then came the “anonymous” report (it had been Vice Principal Atkins, she would stake her life on it), and then the chip. And now her mom got freaked if she wandered even three feet from the men’s section.

“For Christ’s sake,” Andie groaned with a practiced roll of her eyes. “I told you, Cassia’s been looking for something pink and flouncy, I was gonna take a picture for her.” Cassia had found her dress three weeks before, but her mom didn’t need to know that.

Her mom’s expression softened into something resembling relief, and she nodded. “That’s very sweet of you, dear.”

“Yeah, I’m a fucking prince,” Andie muttered. She dug her phone out of her pocket and snapped a photo of the dress. “Can we go now?”

“Almost, I still need to stop in housewares.” A pause, then the forced cheer was back. “Come with me! You can help me pick out our new bath towels.”

Yeah, better get the freak away from the dresses, or else he might start thinking he’s a girl again.

Bzzt.

The tie was like a noose around Andie’s neck. A silken noose. Pale purple, to match Cassia’s dress. The boutonniere was purple too, pinned to the lapel of the jet-black suit she’d borrowed from her older brother. He’d worn it to his prom three years before. Andie wondered if he’d felt like he was choking too.

She tied her hair back from her face and combed it into something sufficiently neat. Her mom had tried to force her to get it cut, but Andie had pointed out that it was still within the permissible range of length for a high school boy, and when that didn’t work, she’d threatened not to go to prom at all. Her mother had begrudgingly backed down.

Tradition dictated that they gather on the front lawn of Vonnegut High School before heading inside, so parents could coo and take pictures and gossip about how they couldn’t believe that so-and-so’s mother had allowed her to leave the house wearing so little. Andie and Cassia arranged themselves into a variety of poses, and after enduring the requisite number of photos and weepy declarations about how handsome and beautiful they each were, they fell into line outside the gymnasium. Cassia adjusted the flowers in Andie’s boutonniere while they waited.

“You look very pretty,” she whispered.

Bzzt. They both winced.

“Sorry,” she said.

Andie took Cassia’s hand and pressed a kiss to her knuckles. “Don’t be.” She glanced down the length of the line. “Have you seen Harrison yet?”

Cassia shook her head. “Did he ever say whether he was coming?”

“Nope,” Andie said. In fact, her best friend had grown quiet every time the subject of prom was mentioned. She wouldn’t be surprised if he’d decided to opt out of the whole charade, and she couldn’t say she blamed him. He had a chip too, though he’d never told her what it was for. She supposed it was none of her business.

Vice Principal Atkins stood outside the doors to the gym, her steel grey eyes poised to catch any sign of wrongdoing amongst the students as they filed inside. Each student paused to scan their fingerprints before they were allowed in, to make sure their attire matched that of the gender listed in their file. Dates from other schools had to show ID, or else be escorted to the bathroom for a physical inspection. Armed security guards stood at the ready, hands resting atop their holsters. To protect the students, they’d been told.

Vice Principal Atkins offered Andie a smug smile as she and Cassia scanned their fingerprints. She had lipstick on her teeth.

“Good evening, Andrew,” she said. “My, don’t you look handsome.”

Andie clenched her jaw, and Cassia squeezed her hand. They both nodded to Vice Principal Atkins as they walked into the gym.

Vonnegut High couldn’t afford to host their prom at a hotel or aquarium like some of the fancier schools in the area, but the prom committee had done their best to transform the gym into an enchanted ballroom complete with streamers, string lights, and gallons of floral air freshener to mask the lingering odor of stale sweat. The DJ was already onstage, trying to coax students to the dance floor with sanitized remixes of every overplayed pop song from the last five years. Most kids crowded around the makeshift bar, where an easel boasted a number of soft drinks and juices available free of charge.

“Well, isn’t this cozy?” Cassia said.

“Every little girl’s dream,” Andie said. She thought of the dress.

Bzzt.

They got drinks and stood against the wall, sipping lemonade and watching the room grow increasingly crowded. A few girls paused to compliment Cassia’s dress and hair, and Andie’s gut swirled with guilt at the realization that she’d said very little about her girlfriend’s appearance thus far.

This was unfair, because Cassia looked beautiful. Her lavender dress was strapless and hugged her curves in a way that was downright sinful, and her golden curls were twisted into an elaborate updo that must have taken hours. But instead of paying attention to Cassia, Andie was busy moping.  

“I bet all of them wish they looked as gorgeous as you tonight,” Andie said as the gaggle of girls wandered off. She snaked an arm around Cassia’s waist and pulled her close. “I know I do.”

Cassia beamed. “Don’t get all sappy on me now,” she teased, though she clearly enjoyed the attention. She drained the rest of her lemonade and set the cup down, then took Andie’s hands. “Come on, we’re dancing.”

The dance floor had filled out some in the time they’d spent sipping their drinks. The mass of sweaty bodies had rendered the air freshener completely useless, but the music was loud enough that it seemed to dull the other senses. Andie let Cassia tug her into the crowd and spun her around before falling into an uncoordinated, flailing sort of dance that had her girlfriend howling with laughter. They passed three songs that way, focused entirely on each other and the movement of their bodies.

And then the music stopped.

The students groaned and looked around in confusion, until their collective attention was drawn to a commotion by the doors. Vice Principal Atkins’ voice, shrill and furious, rang out above the din. Murmurs spread through the crowd.

“Can you see anything?” Cassia was up on her tip toes, a hand on Andie’s shoulder for balance.

Andie opened her mouth to say no, she couldn’t see a thing, but then she did see something. A flurry of movement as a woman clambered up onto a table.  

She was wearing the dress.

Heat flooded Andie’s cheeks as awe and envy washed over her in equal measure. She pushed through the crowd to get a closer look.

The woman’s hair was short, held back from her face with a pink headband dotted with pearls. A matching pearl necklace sat against her collarbone. And when she turned to face the crowd, everyone gasped to see blood staining the side of her intricately made-up face. Crimson dripped from her chin onto the gleaming white bodice.

It was Harrison.

Except, it wasn’t. Harrison had never stood so tall, had never smiled with such radiance. This was someone entirely new, and he was beautiful. She was beautiful.

And she had ripped the chip right out of her head.

“My name is Winona,” she declared. “And I am a woman.”

Bzzt. Bzzt. Bzzt. A dozen students winced in unison, Andie included.

Chaperones sprinted toward the table, and cherry blossoms swirled around Winona’s feet as she leapt onto another, and then another. She was heading for the stage.

Andie moved with her. Cassia’s hands were a vice on her arm, but she still surged forward, her eyes never leaving Winona.

“My name is Winona!” Winona landed on the next table with impossible grace. Her feet were bare. “And I have always been a woman!”

“Get him down!” Vice Principal Atkins shrieked.

Winona jumped onto the stage and seized the microphone from the DJ. She caught Andie’s eye in the crowd, and she gave her a brilliant, beaming smile.

“My name is Winona!” she cried, thrusting a fist into the air. “And I am your prom queen!”

Silence. Part of Andie wanted to applaud. Part of her wanted to cry. Instead, she stood with the rest of the students in stunned silence. No one moved or cheered or said a single word. And then—

BZZZZZZZT.

Sharp, searing pain, like someone drilling into her head with an electrified screw gun. That same dozen students doubled over and gripped their heads in agony. Andie’s knees buckled and she fell to the floor. Tears burned in her eyes, but even as Cassia pulled her close and tried to press Andie’s face against her stomach, she didn’t look away. Couldn’t look away. Her gaze remained locked on Winona.

The gunshot pierced through the haze of pain. Winona crumpled. She was dead before the last echoes of the shot faded from the gym.

The pain stopped. A dull throb was all that remained. The dozen students gasped and panted as they regained their composure. Someone stifled a sob. Andie remained on her knees, wrapped in Cassia’s shaking arms.

Vice Principal Atkins scurried onto the stage, accompanied by the two security guards. She picked up the microphone and held it at arm’s length, her nose wrinkled with disgust as she eyed the blood dripping from the handle. The DJ pulled a rag from his pocket. He took the microphone, wiped it clean, and handed it back to her.

“Oh, thank you,” Vice Principal Atkins said. “Boys and girls, we are terribly sorry for the disturbance. But we’ll have this cleaned up in just a moment. In the meantime, don’t forget to sign up for the raffle! This year’s prize is an iPhone 23. How exciting! All proceeds will go to support the prom committee to thank them for these beautiful decorations and ensure they can go on to make next year’s prom even better!”

There was a tepid round of applause.

Behind her, the two security guards grabbed Winona under her arms and dragged her off the stage. A few teachers ran up onto the stage and piled towels onto the puddle of blood. Andie rose to her feet and watched Winona, her bodice more red than white, as she was pulled through the doors and out of sight.  

“Well, that’s better, isn’t it?” Vice Principal Atkins laughed. “Now, let’s get back to dancing! Have a wonderful night, everyone!”

She handed the microphone back to the DJ and left the stage, her high heels clacking against the shiny wood floor as she followed the security guards and Winona out the door.

“After all that excitement, let’s say we slow it down,” the DJ said. He clicked something on his laptop, and an old love song started playing.

The crowd grumbled back to life. Couples came together and began to sway in each other’s arms. Others filed off the dance floor and headed for the juice bar or raffle table.

Andie and Cassia stood frozen, still clinging to each other, at the edge of the dance floor. Andie’s heart was so high in her throat she feared she might choke on it.

She wanted to scream. She wanted to storm up onto the stage and seize the microphone and scream until the speakers exploded. She wanted to demand that they do something. That they care.

She breathed in deep through her nose. Cherry blossoms, overly sweet and artificial, with notes of sweat and blood. She adjusted her hold on Cassia and began to sway in time with the music. Cassia’s arms slid up to wrap around her neck.

And as they danced, Andie thought about bloodstained pearls and scarlet drops against white silk. She thought of the dress. Her dress.

Winona’s dress.

Bzzt.

Andie flinched, and Cassia’s arms tightened around her.

They kept dancing.


Beck O’Leary is an American writer living in Edinburgh. They have an MA in Creative Writing from Edinburgh Napier University and an MFA in Writing Popular Fiction from Seton Hill University. They are passionate about queer storytelling and creating worlds where lesbians and trans kids get to be heroes too. When not writing the kinds of books they would have liked to read as a teenager, Beck can be found playing Dungeons & Dragons and snuggling with their idiot cat-son, Fitzroy.

Photo credit: Cherry blossoms by David Brooke Martin on Unsplash.


A Note from Writers Resist
Thank you for reading! If you appreciate creative resistance and would like to support it, you can make a small, medium or large donation to Writers Resist on our Give a Sawbuck page.

EXPO Marker

By Jennifer Elise Wang

                       In memory of Dr. Refaat Alareer

You say your only weapon is an EXPO marker
That you could throw in the face of your oppressors,
But those cowards could not even look at your face
When they took away your life and your family’s.
I wonder how soldiers and leaders could fear
A single person putting words on paper or a board,
But those words become bullets aimed at them,
Discharged from a heart that feels too intensely.
They scatter around the world, pierce through political lies.
The lines of your poem slash through privilege,
Producing a bloodless pain and invisible scars.
The peace following a period is not a ceasefire
But the silence before detonation.
Your story sears through the skin of your enemy to their bones
They were wrong about you:
Unlike the marker, you are not erasable.


Jennifer Elise Wang (they/she) is a nonbinary femme in STEM and a punk rock pretty boi poet from Dallas, Texas. When they’re not in the lab or writing, they enjoy action sports, cosplay, dancing, and volunteering at the animal shelter. They have been published in FERAL, just femme & dandy, Exposed Brick Literary Magazine, and Scarlet, and thehy’ve been featured in Inner Moonlight, Phynnecabulary, and Cobalt Poets. Visit Jennifer’s website at jenniferelisewang.com.

Photo credit: Originally published by Al Jazeera in 2024, under “Fair Use” for commentary and opinion.


A Note from Writers Resist
Thank you for reading! If you appreciate creative resistance and would like to support it, you can make a small, medium or large donation to Writers Resist on our Give a Sawbuck page.

Girl (an erasure*)

By Elizabeth Mercurio

                         How few centuries have let women be girls first
                                                                            –Brenda Shaughnessy

One                             fourteen-year-old girl             led police to start                               

investigation of Epstein                      in 2005             defendant paid for massage                                       

recruiter girl                   was given $200 for having brought the girl to defendant                             

                        she was too emotional

girl brought a classmate                                 to defendant’s home to perform a massage

Jeffrey Epstein engaged in sexual intercourse with Jane Doe #1

            who was then a seventeen year old girl

                                                                        in the presence of a Jane Doe #2 who was a

fourteen-year-old girl             Alan Dershowitz tried to discredit girl

who accused Jeffrey Epstein of rape              One girl I liked – very nice the only cute one

the party wasn’t that great                             the birthday girl was turning 18                    

most of her friends were VERY young            defendant took nude photographs of Jane Doe

who was then a sixteen year old girl              I’ll find girl for you this time I promise

Europe would be better to find little girl        what do you want me to do with this girl?

I sent you these pics of Russian girl               another girl had to work Sunday

Monday after school?             I would like a girl       for Miami to spend the winter with me

Jane Doe has suffered traumatic injuries                    Prince Andrew and girl 17                

Epstein would want to see each girl at least two to three times                she may have brought

anywhere from 20 to 50 girls             so many girls now                   she looks pretty though…

nice     only problem is she’s 30         remember I brought the girl to ur house in Palm Beach       

Epstein hated one girl because she    initiated           liked shy and timid girls

Your littlest girl was a little naughty              I have a New one        she is Russian too      

let me know what you think about this one     a very hot girl             I didn’t say anything

mean last night           I was just asking questions     also found you a girl as you asked.


*Note: This erasure poem was created using the Epstein files as source material. In just a small portion of the released Epstein files the word girl appears over 11,000 times.


Elizabeth Mercurio (she/her) is the author of the chapbooks Doll and Words in a Night Jar. She earned an MFA from The Solstice Low-Residency Program. Her work has appeared in Lily Poetry Review, Ample Remains, The Wild Word, Thimble Magazine, Vox Populi, and elsewhere. She is a Pushcart and best of the net nominated poet and was named a finalist in the Cordella Press Gwendolyn Brooks Poetry Prize and the Two Sylvias Press Wilder Poetry Prize.

Photo credit:


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Thank you for reading! If you appreciate creative resistance and would like to support it, you can make a small, medium or large donation to Writers Resist on our Give a Sawbuck page.

My Rape Wasn’t a Choice by Alberto Lau-Chang

Artist’s Statement

I took this picture on May 14, 2022, in San Diego, California, during a Women’s March to protest the leaked U.S. Supreme Court draft opinion that eventually overturned Roe v. Wade. More than four years later, the message the photograph conveys is still relevant. We all—men, women, and people who choose to identify in a different way—must still fight for body autonomy and integrity of one’s entire self. Unfortunately, I don’t know the name of the brave young person in the picture. We did not have a chance to speak, though clearly they wanted me to take their picture. They paused, and moved on. Perhaps when the photo is published somebody will see it and identify them.

I took the image with a Leica Q2 Monochrom (Leica’s spelling), a camera that only takes pictures in black and white. Indeed, one of my favorite modes of expression is black and white photography, and this camera forces a commitment to monochrome. The absence of color relies on economy, analogous to the way poetry relies on the power of fewer words.


Alberto Lau-Chang is a bilingual writer, photographer, and documentary filmmaker. Previously, he was an architect and construction manager. He wrote for the San Diego Reader on photography, art, and architecture. He was born in Guatemala of Chinese parents. Mr. Lau-Chang has a Bachelor of Arts and a Master of Architecture from Yale University. He studied photography under Walker Evans and architecture under Charles Moore. His virtues are unpublished, and he has no known public vices.


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Lemonading

By Victoria Melekian

America, greed is upstream
rivering unharnessed, fast splashing

across our land uprooting centuries
of forest, marsh, and rocky outcrops.

Greed is carving a frontier of gated wealth,
leaving us a new map: river of hunger,

river of despair, river of no mercy.
America, greed is gilding the capitol.

Kids down the street are raising money
for a classmate’s rugged wheelchair—so he can go

with us to sixth grade wilderness camp, they said.
Their lemonade: so zesty, so sweet.


Victoria Melekian grew up in Los Angeles and now lives with her husband in Carlsbad, California. Her poetry collection The Accidental Courage of Our Lives is available from Sheila-Na-Gig Editions. Unhoused, Victoria’s novella-in-flash, won first place in the 2026 Bath Flash Fiction Novella-in-Flash Awards. For more, see her website: victoriamelekian.com.

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Letter to Self

By Joycelyn Zhang

It was the day of your school’s 5K. Sweltering.

You ran until your lungs wheezed. Your shorts were green, like everyone else’s, and together you were a forest from the waist down. You forced yourself to drink the sludgy fountain water and ignored the way it stung your convulsing throat. You ignored the sharp running cramps that stabbed your stomach, the ones that usually attacked your sides. You ignored it—until you felt something gush into your green shorts. Damn it. Meekly, you excused yourself and tried not to waddle as you entered the cool of the locker room.

With toilet paper at the ready, you pulled down your shorts, exposing tender, indented flesh. You expected the stale stench of urine, but found, instead, that red sap had trickled down your thighs and bloomed in your underwear.

You weren’t injured and you weren’t dying. Nothing had pierced your skin, and yet you were bleeding. But instead of screaming like you wanted to, you limped back into the heat, breathing quick and tight. You remember saying something vague to the (male) gym teacher, something about needing to see the nurse. You remember the nurse’s gentle, rehearsed tone as she pointed you to the bathroom. The rest of the day, you felt all the eyes on you—classmates, teachers, janitors—seeing through your clothes, into your shame. The shame raged hot and cold down your spine when you told your parents you’d gotten your period. You were taught to scrub and scrub and scrub the stiffened blood in the bathroom sink—it couldn’t mix with the wash and contaminate the other clothes. And you scrubbed until there was no trace of the red sap and your fingers started peeling around the edges.

You rarely went shopping with your parents after that, too afraid of walking down the Feminine Hygiene aisle, slipping packages of pads in the cart. You couldn’t bear to look at the cashier’s face as he scanned the boxes. Alone in your room, you wondered why there was a price tag on menstruation.

Now, you get pissed when period ads interrupt YouTube videos, portraying empowered, graceful women prancing on stages or grassy fields as though there isn’t a stick of cotton tearing at their insides. Somehow, you just know a man pitched the design.

Now, your clothing resents you. None of your underwear escapes unstained. You hate sitting down in public, worried about what might show when you stand up again. You hate your dance tights and leotard, and how they barely cover anything.

Guys seem different now. Their eyes widen and they pretend to vomit if the “P” word comes up. When your brother knocks over the grocery bag, sending a package of pads popping out at him, he screams and locks himself in his room. Even your dad whispers “Period” like it’s some taboo thing. They act afraid when it comes to your period, yet they insist it’s the reason you have differing opinions—nothing short of hormonal insanity could explain why you would disagree with them. You hate how they leave their marks on everything that isn’t theirs, be it a form of childbirth or a woman’s reproductive organs or even the words that are supposed to belong to you and the girls around you. You hate how the woman is always blamed for the pregnancy, shamed for sleeping around. Men are aggressive go-getters who deserve the submission from all women they are attracted to, remember?

You hate everything. You’re not even sure if it’s of your own volition or if it’s because you’re on your period. Because you’re ON your period as you write this. And this time, it’s personal. Like (S)Mother Nature had a boxing match with your uterus and the uterus is losing. Unfortunately for you, it never throws in the towel. So you have no choice but to soldier on (like a woman).

And in these moments, you scream and curse all gods from every religion possible for bringing this burden to womankind, and to you, in particular.

Childbirth isn’t something you ever want to go through, so what’s the point of having a period at all? You have to wonder if something’s wrong with you because in the single eye of society, those eggs, those promises of another human being, are (most of) what you’re valued for. They are the reason laws about women’s bodies are written and passed by men, the reason everything about them is sexualized, magnified, condensed into beautified fodder for men’s viewing pleasure. You’re nothing but fertile ground waiting for seeds.

What if you refused? What if you stood up and wiped away all that dirt and ripped the trowels from their greedy hands? You’d be free—but would you really be a woman? What is a woman without her children?

And what of those people whose lives will never cross yours—who, despite all your differences, share this invisible connection with you? Here’s where you know the patriarchy has succeeded: you feel so isolated in your room, watching shadows dance upon the tampon-white ceiling.

Yesterday, you were in the school bathroom with another girl. A girl who giggled as she tugged one of the cheap school tampons from the dispenser. The tampon expanded with sink water—a soggy, unusable joke. Her perfume clouded your brain, and you avoided her gaze in the mirror. She was a girl, too, wasn’t she?

You wanted to say, “You’re not just a girl. You’re not bloodstained underwear or a wrinkled tampon. You’re not a cherry, an oven, a fertile field. You are human.”

Period.

But you didn’t.


Joycelyn Zhang is a San Diego writer whose work strives to examine the deep-seated biases present in modern culture. She is a second-generation immigrant living in a bifurcated world. Her work has been featured in Élan Literary Magazine.

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Monarch

By Deanna Altomara

A long time ago (or maybe not so long),
your grandmothers boarded a ship across churning seas,
Just as we took to the yawning sky,
Full of dreams and haunted by a home that was no longer our own.

We weren’t born to fly.
In the darkness, we had no choice but to
start anew, to molt and melt
until we glowed like burning embers.
We built our wings out of scrap fabric and chitin,
armored them with scales cut from patchwork quilts.
We learned to glide on the screams of storms.

And you dare to
demand we disappear?
Go ahead.
Build your walls and watch
us fly over them.


Deanna Altomara is a graduate of the Creative Writing Program at Emory University. Her poetry chapbook, The Happening: Reflections on the Amish Schoolhouse Shooting, received the Edna Meudt Memorial Award from the National Federation of State Poetry Societies. She has also been recognized by the Outdoor Writers Association of America and Last Stanza Poetry Journal.

Photo credit: Photo by ZHANG BO on Unsplash.


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transcription (i can’t play sport)

By olive bly

they won’t
force me to fight
in the war

being trans
is a mental
illness, yes

you can’t
fight in the war
if you’re ill

i am
mentally ill
so can’t war

i was
terrible at
sports in school

only
ever really
scored one goal

& ’cause
sport & war are
the same thing

i don’t
think i would be
good at war


olive bly (Tangata Tiriti, Pākehā) is an outer-disciplinary artist of european descent from Aotearoa, New Zealand, and currently based in Naarm, Melbourne, Australia. Her work traverses a variety of mediums, finding synaesthetic links between multitudinous reference points. She adopts playful creative philosophies that blend the naive with the theoretic, underpinned by thematic cyclicality.

Her visual art has recently been exhibited in Aotearoa by MEANWHILE & Uindō95, and her poetry has been published by various literary journals and magazines, including a fine line, bad apple, and Nine Lives. She trained in jazz piano at Te Kōki (New Zealand School of Music) and holds a Bachelor of Arts in Philosophy from Te Herenga Waka (Victoria University of Wellington). Her debut poetry collection, chrysalis (d[i̶]s)section, was published in August 2025 with 5ever books. Visit her website at olivebly.art.

Photo credit: No War by hellolittlemolly via a Creative Commons license.


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On Viewing the Porn Trading Cards Catalogue (1925-2025)

By Rachel Lincoln Sarnoff

Braid your hair. Pin your hair. Set your hair. Curl your hair. Spray your hair. Color your hair. Cut your hair. Blow your hair. Center your part. Left your part. Right your part. Lose your part. Cut your bangs. Flip your bangs. Feather your bangs. Grow your bangs. Pluck your brows. Draw your brows. Wax your brows. Thread your brows. Brush your brows. Grow your brows. Boy your brows. Line your lids. Cat your lids. Frost your lids. Matte your lids. Smoke your lids. Light your lids. Darken your lashes. Thicken your lashes. Spider your lashes. Telescope your lashes. Button your nose. Thin your nose. Shade your nose. Smooth your nose. Bite your lips. Line your lips. Fill your lips. Gloss your lips. Pinch your cheeks. Apple your cheeks. Blush your cheeks. Contour your cheeks. Shade your skin. Sun your skin. Bleach your skin. Brush your skin. Needle your skin. Blade your skin. Buff your nails. Tip your nails. Gloss your nails. Gel your nails. Dop your nails. Wrap your waist. Lace your waist. Hook your waist. Buckle your waist. Shrink your ass. Flatten your ass. Round your ass. Hourglass your ass. Bullet your breasts. Flatten your breasts. Plump your breasts. Wire your breasts. Inflate your breasts. Inflate your breasts. Inflate your breasts. Trim your bush. Clip your bush. Bleach your bush. Shave your bush. Wax your bush. Sugar your bush. Make it full. Make it stripped. Make it bare. Make it bare. Make it bare. Be soft. Be round. Be small. Be thin. Be thin. Be thin. Try Grapefruit. Try wine. Try Atkins. Try keto. Try fasting. Try skipping. Try vomiting. Don’t speak. Speak quietly. Speak alone. Speak together. Speak in unison. Speak in song. Speak louder. Speak louder. Speak louder.


Rachel Lincoln Sarnoff is a writer whose fiction, journalism, and essays reflect her career as a climate communicator. She publishes the Good Newsletter on Substack, hosts “Ask an Author” interviews on Instagram, and leads the Santa Monica Silent Book Club IRL. Learn more @rachellincolnsarnoff 

Photo credit: Back of a 1960s card from a Go-Go Girls Deck, featuring topless female models by Vinnie DeVille via a Creative Commons license.


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If Only There Were No Trans Kids

From A Humanist Devotional

By Mitch Roshannon

“Some forms of political doctrine, for instance, function religiously, reflecting the worst features of orthodoxy and authoritarianism, especially when they sacrifice individuals on the altar of Utopian promises.” – Humanist Manifesto II, 1973

If only there were no trans kids
or queers in public squares
there could be peace in America.

Somehow, the eradication of
“Adam & Steve” will repair economies
unsustainable, tenuous, and fraught.

Dad would stop hitting mom;
steak and collard greens on the table
rather than cheap ramen and regret.

God would return to us his blessings
of simple lives and un-awakened masses.
Happy to look at shadows on cave walls.

If not for those dirty letters LGB. . .
we promise, we’ll only take the one.
QIA+ devils in our midst.

Read not to love one another as He
loved us; instead that Jesus came not bearing
peace, but a sword. For what?

To carve from the alphabet; withered
hands, wrists still healing, our brothers,
sisters, siblings? Shall there not be room?

Heaven’s gates closed; Saint Peter’s
rifle sights aimed at the trans girl who dared
try to find solace in a 5k or a swim meet?

Give me one good reason, Lord—
besides You, why I should hate her transformation,
glory she herself cannot yet see. . .
one good reason to dismiss her
and still, I won’t.


Mitch Roshannon is a writer based in the coal region of Pennsylvania. He has previously (and gratefully) been published by Panoply, Santa Fe Writers Project, Interfaith America, and others. He is currently working on a Chapbook titled Humanist Devotional which writes poetry and micro-essays inspired by quotes pulled from the Secular Humanist Manifestos.

Photo credit: Photo by Katherine Hanlon on Unsplash.


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Silence

By Isla Laust

I look down
And see hands
Stained not with blood
But with silence


Isla Laust is a middle school English teacher in the United States. She primarily writes poems about her experiences as a teacher functioning within the education system. Her writing is fueled by watching her students and coworkers navigate current events and societal expectations as they all learn and grow together.

Photo credit: Bizz via a Creative Commons license.


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Three Poems by Tushar Sen

The Last Tree Standing

A lone banyan waits
to be cut down,
until the block officer signs
the contract
to his brother-in-law
in the timber business.

Samples have been collected.
A local student earned his thesis
studying the therapeutic effects
of any/every banyan tree.

His brothers were uprooted
for godowns assembling ORGANIC vegetables
and factories mass-producing HERBAL remedies.

“Too much land locked by trees
that produce nothing except oxygen,”
the fat tycoon said.

So many red-crossed vehicles
passed by the tree,
with bodies feeding on stored oxygen,
waiting to die.

Soil erosion, they claimed,
had been defeated by concrete.
Shade became personal now,
sold as umbrellas.

And the dam they built,
the great hymn to progress—
holds barely enough water
to cool the data center,
built by a foreign company
serving another foreign company.


The Business of Drought

We have never seen the ocean,
but we carry it every day—
on our heads,
in dented metal moons,
in the ache that bends our spines into question marks.

The sky has lost its cotton fields.
The westerlies have blown them away.
It asks the sun to fetch them now.
The sun is working overtime.
The earth is bearing the overheating.

We walk before the sun decides to burn,
feet mapping distances no one will measure,
past a tree that died waiting,
past a well that whispers dust.

Even the fish have learnt of our thirst;
the fish fear we would siphon all the lake—
they refuse to multiply.

Water tankers pass by, teasing the village—
pockets too shallow.

Soda water sells at a discount at the shop,
Morra has no water to freeze for the ice box.

False rain alerts embarrassed
the weather section out of newspapers.

The village priest advises a ritual—
a quintal of rice, a barrel of cooking oil,
a bushel of corn, and a sack of sugar—
to the deity.

Birds have all flown away disloyally,
the lizards that tried to flee
died in empty earthen pots—
decaying outside the village.

The village shylock now lends
not for seeds,
but for water
from the ecoreserve company.

Trees that were uprooted gave way to barren lands,
silenced factories,
cold chimneys,
paper appointments,
future salaries,
future development.

Leaders have decided to plant cactus saplings—
they need no watering.
The wells in the village tremble with fear.

The minister protested
the dam proposal last year:
if electricity is drawn out of the river,
how will the crops survive on hollowed water
.

A reporter came last week.
He inquired.
He took notes.
He never returned.
Some say he went missing.


Parched

A bomb fell—
like a rogue kite,
stringless, nameless,
aiming nothing, claiming everything.
Blisters on that body—
like boils on bubble wrap,
waiting, bursting, multiplying.

The place hissed,
like a silenced furnace
breathing through broken walls.
In the market square,
a skull lay atop a fountain,
choked with blood—
to ward off the spirits
of those who died a “natural death.”

Fresh rubble,
still warm,
drew hands the way gold does.
Not mourners, collectors.
They came softly,
like it was a harvest.
Shoes were eased
from the feet of the buried
without asking for permission.
Gemstones pinched
from fingers gone cold.
Piggy banks split open—
their small treasures
up for grabs.
Business as usual—
no one took notice,
no one complained.

Barrows carried bodies—
unclaimed,
hurried to a deep patch of earth
dug out to accommodate them all.
Ambulances stood in the heat,
with hospitals gone,
medical aid
traded by the roadside.
The city now heard
only sirens,
craving baby cries.

A stray rocket stuck on a rooftop—
ashamed of its own sterility,
hiding its nose from passersby
who pelted rage-filled stones.

Nadine, seen every noon,
bowl in small hands,
waiting for rice
in a line longer
than her eyes could hold.


Tushar Sen is a finance professional from Bhoiwada village in Maharashtra, India. He also engages in sustained creative and scholarly writing. He is the author of Pandora’s Box, a collection of short stories available on Amazon, Barnes & Noble, and Audible. In 2020, he wrote and produced the short film Zulfi, which screened internationally and received 22 laurels across film festivals. He was recently selected for LADAKH—Closer to the moon Residency Program for writers. 

His poetry has appeared in Sortes, Lekh, Indian Review, Writers Resist, SpecPo Verse, Flora Fiction, Ecological Citizen, Military Review, The Orchards Poetry Journal and Afrocritik.

Photo credit: Photo by Jeremy Bishop on Unsplash.


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Coincidence

By Minnie Bartlett

On the first day of winter, when it rained so hard I thought it might snow, I got in my car and drove fifteen minutes to the shopping mall. I walked into the hiking store I’d rarely had a reason to go past, though my penchant for practical flannel and worn-out boots made me fit right in. Five minutes later I walked out, down jacket in my possession.

It was so unlike me to splurge, so at odds with the personality I had carefully crafted, that you couldn’t help but notice. You said nothing, but I saw in your face that you were surprised.

For you, this was a fun jaunt into adulthood. A playing at pretend in real life, where you could go through the motions expected of you, careless of your mistakes. If you came up short, did silly things expected of twenty-somethings, your parents would bail you out, with barely a question or need for an explanation.

I never envied you for this, though jealousy would rise when I noticed how reckless you could be. It felt occasionally that there were chasms between us. I understood your lifestyle, the ease with which you moved through the world that I was only pretending to embody.

Yet all of this came later. The initial story, a trick of the lighting most would call faith, but for which I much preferred coincidence.

The first night we met, I’d just moved to the city. I walked into a bar and sat on a stool. Briefly, I wondered if this was something people really did. I’d seen it in movies and TV shows, and though I fancied myself a main character—everyone did at that age— I couldn’t quite confirm that sitting alone at a bar, drink in hand, was a normal thing to do.

You walked in alone and sat down next to me. Ordered a beer in your deep, gravelly voice, a crooked grin spreading across your face. It wasn’t until the bartender placed it in front of you that you looked at me. Your eyes traced from my hairline down to my shoes and I was suddenly and intimately aware of how I looked.

In hindsight, I will say that I trusted you instantly. That somehow you were knowable to me. Honesty prevailing, however, I will admit that I was afraid. Of who you might be, of what you might want. None of that, though, was present in the conversation, only in my frantic kicking beneath the surface just to stay afloat.

“Jet,” you said by way of introduction, hand stuck out to shake mine. I never felt quite prepared for handshakes, and I fumbled as I offered my own name in return. “You’re new in town?” you asked, which despite being a presumptuous question didn’t come across as rude.

“Just moved in,” I said, though that did little to add to the conversation. You ran your hands through your hair, and it was so inky black I was almost surprised there wasn’t dye on your hands. Jet was a clever moniker.

You asked the bartender to bring me another drink, though really it was my first. Twelve-dollar beer was beyond my capacity, and I’d been sipping water hoping it looked like vodka. Without concern, you swiped your card on the screen.

You started talking then about nothing really, and I couldn’t help but wonder what exactly you were doing here. I tried my best to keep up the conversation, but you hardly needed encouragement, quite happy to talk essentially to yourself, provided I stayed with you.

Half an hour later, your friends came looking for you. You were meant to meet them, apparently, but had gotten distracted talking to me and forgotten completely about your plans. From the looks on your friends’ faces, this wasn’t the first time such a thing had happened.

The night unravelled from there, and I woke the next morning lying on a couch, awareness coming in fits and starts. My head was pounding. After confirming my keys were still safely in my pocket, I forced myself up, vaguely noticing a friend of yours asleep on the other edge of the couch.

I found you blending a smoothie in the kitchen, looking fine, and feeling, I assume, the same.

While for me it had been a big night from which I’d have to recover, for you it had obviously been just another in the line of youthful fun. I politely declined when you offered me half of the green-tinged smoothie, and went on my way.

We became fast friends, though I still don’t quite know how. You would message me frequently, and, enamoured, I couldn’t help but respond. In between the exuberant life you led and I followed, I felt my capacity to stay afloat diminish.

My apartment was barebones. I tried not to let it bother me, and was hardly there anyway, coming and going only to sleep and otherwise filling my days in the wider world. But when people suggested we head back to my apartment, its location quicker or easier, shame would rise unbidden. The excuses I made were wearing thin, and our increasingly shared friends didn’t understand. While they never held it against me, I knew instinctively there was a divide that was growing.

The life I had chosen, this life of partying above my means and pretending the consequences would be minimal, was going to come running after me, and I’d never been that fast.

Eventually, you suggested we move in together, split rent and keep the party eternally going. I instinctively wanted to disagree, though I was in no position to do so. My gas bill hadn’t been paid, and while I had an electric stove, the place had little insulation, and I was constantly putting on another layer.

When I unlocked the door and pushed it open, you standing at my side, I saw the surprise on your face. I don’t know what you thought you would see, but I was nervous nonetheless.

“Ta da,” I said lamely, the words landing a little too earnestly to be a joke. You nodded, like you were finding words you’d never had to use before.

Before I knew it, you were smiling again, nodding to yourself like my life was a challenge you were willing and able to take on. You threw me your car keys, and we shoved my overfull duffel bag—the one I’d had since I was a teenager—in the boot of your car.

Though you had your licence, you always wanted me to drive, whether from comfort or a quiet worry about being over the limit, I was never sure. But I was more than happy to oblige in your red VW hatchback, which I took great pleasure in revving just a little too much on occasion.

You’d control the speakers, just soft enough that it wasn’t distracting, and I would laugh at your choices. You were the only man I knew comfortable enough to listen to Gracie Abrams and Olivia Dean shamelessly, and after not long, we both knew the words to every song you’d play, singing quietly and simultaneously.

You were leaning forward, looking out the passenger window. Your Star of David chain had fallen from underneath your shirt, and your hair was mussed from the wind. You were very pretty, almost feminine in your features, though you had an undeniable masculine quality that meant you fit in effortlessly with women and men alike.

The day we moved in together, you suggested I take the smaller bedroom and pay 40 per cent of the rent to compensate. I wanted to argue, but we both knew by now that this was a luxury I could not afford.

The first week, neither of us knew quite what to do with each other in the mornings. You were an early riser, which I hadn’t anticipated, and I’d come out of my room to find you already at the kitchen table, reading something on your phone, coffee going. You’d look up, nod, go back to reading. I’d make toast.

It was a Thursday night sometime in the second month when I came home to find you’d cooked. Nothing elaborate—pasta, a jar of sauce, cheese grated on top—but the table was set and you were waiting, though you’d never have said so, eyes fixed on your phone with studied nonchalance. I sat down without comment. We ate without ceremony. You asked me nothing about my day and I offered nothing, and it was the first time in a long time that silence felt like company rather than absence.

Afterwards you washed the dishes and I dried them, a division of labour we’d never discussed and would maintain without negotiation for the remainder of our time there.

Six months later, the Melbourne winter had well and truly faded to a scorching summer where being outside long enough only to move from a car to a building felt sufficient to invite skin cancer. Gone were the nights of stumbling home well after dark, instead it was the season of house parties, and I routinely spent more on alcohol than food.

A thin layer of dust covered almost everything we owned. We loved our home, but we had not cared for it. Such was the way of youth.

So when the doorbell rang in the middle of a sunny afternoon, which we were luxuriating in, ignorant of the work we were supposed to be completing, neither of us had any idea who it could be.

I went to the door, more anxious than you to see who it was. Long auburn hair and green eyes, mirrored, I knew, in my own, made my stomach flip. We hadn’t spoken in eighteen months, and when I said I was leaving, she did little more than say okay, assuming perhaps that I’d be home before long.

Obviously, she’d become tired of waiting. You let her in with a grin and a wave, a cursory glance between the two of us telling me you’d filled in the crevices of our relationship, familial and messy.

It was when she said a name, unfamiliar these days to my ears and foreign to yours, that you recognised what was happening here. You existed in a landscape of media that understood people like me, though it perhaps hadn’t been until this moment that the pieces of my life fell into place for you.

I said nothing at all as she explained to you what it meant to have a daughter who left. The child she missed and wanted back. Selfish though it may have been, I had worked to never think of her perspective. To stay would have been to lie and make friends with my own misfortune.

You were polite as she talked, though the stories of girls’ nights out and dress-up parties from childhood sounded more like a scene from a movie than anything, even to my own ears.

Perhaps she recognised in you someone who might be swayed by swift speech and provocation, but she had misunderstood. You were the swift talker, and you would not be swayed.

“Your son is my best friend,” you said, kind yet biting somehow. I ignored the flash of embarrassment at the language you had chosen, feeling for the first time in a long time like a fraud in my own skin. I focused instead on the truth of it, though complex at times, ultimately built on a camaraderie of boyhood I was becoming privy to.

Ignoring this completely, she addressed me, instead of speaking through you like a parent passing messages through a child. “I wanted to see where you were living,” she said, looking pointedly at the crack blooming up the kitchen wall.

She couldn’t understand my choice, thought somehow that I was blaming her for who I was.

She asked me to come home with her. For nostalgia? Family? It was unclear. I thought of seven hours on windy country roads, nothing but each other for company. I opened my mouth to speak, looked at you instead of her, and saw your furrowed brow, like it wouldn’t completely surprise you if I said okay, like there was a part of me that was longing for exactly this.

“I think you should go now, Mum.” I said, not meeting anyone’s eyes. The moment she entered the room it had turned stale and claustrophobic, filled with untenable energy and a vague sense of dread.

Speaking generously, I will admit that this was not her intention. That in her mind she had imagined a reunion of mother and daughter, only to find the person she knew existed no longer. Closing the door, I traced the features of her face, searching for an image I could forever recall, for the moment had a sickening finality.

The silence was supercharged. You were standing, leaning against the wall, toying with your chain like it was keeping you steady. I assumed this unease was directed at me. That the lies I had built to protect the truth of who I was were crashing down around me, finally enough to ruin the foundation of this life I had built.

Your eyes were bright in the reflected sunshine. They were fixed directly on me, searching.

“I know,” you started, “that we don’t really talk about these things,” I nodded. “But I’m sorry that I made you feel like we couldn’t.”

“I’m just glad we’re here.” I forced my eyes to meet yours. “Together.”

In lieu of further conversation, you flicked the kettle and we made tea, which is something we had not done before. But we were building a life for ourselves that exists to make us happy.


Minnie Bartlett is a young writer from Naarm/Melbourne, Australia. She is studying literature at university. She is proud to be a part of the LGBT+ community.

Photo credit: Crack by Gianna Jarvis via a Creative Commons license.


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Two poems by Mia Leonin



Poet’s note: These “still life” poems are based on oral histories I conducted with the permission of women who wanted to speak anonymously about their reproductive lives.  


Mia Leonin is the author of four poetry collections: Fable of the Pack-Saddle Child (BkMk Press), which won an International Latino Book Award. Anhinga Press published her books Braid, Unraveling the Bed, and Chance Born. Leonin has also published a memoir, Havana and Other Missing Fathers (University of Arizona Press). Recent work appears in the Indiana Review and the Southern Review. Leonin teaches creative writing at the University of Miami.

Image credit: Oleksandr Panasovskyi from Noun Project.


A Note from Writers Resist
Thank you for reading! If you appreciate creative resistance and would like to support it, you can make a small, medium or large donation to Writers Resist on our Give a Sawbuck page.