CASE FILE #1776: The Murder of Lady Liberty

By Daniel P. Douglas

New York Police Department – Homicide Division
Detective Joseph “Joe” Law, Badge #1886
October 2025

The call came in at 3:47 AM on a Tuesday that felt like the end of the world’s longest hangover. Rain pounded Manhattan, each drop a reminder that even heaven had given up trying to wash this place clean.

“We got a body,” the dispatcher said, voice deader than yesterday’s coffee. “Big one.”

“How big?”

“Liberty Island big.”

I crushed my Lucky Strike into an ashtray I hadn’t emptied since Bloomberg was mayor and grabbed my coat. In thirty years working NYPD Homicide, I’d fished bodies out of the East River, scraped them off subway tracks, found them stuffed in dumpsters behind bodegas. But this was different. This was America’s dame, face-down in New York Harbor.

VICTIM IDENTIFICATION

Name: Liberty Enlightening the World, aka “Lady Liberty,” “Statue of Liberty”
DOB: October 28, 1886
Height: 305 feet (151 feet without the pedestal)
Weight: The burden of 330 million promises
Last Known Address: Liberty Island, New York Harbor
Occupation: Symbol, Promise-Keeper, Mother of Exiles

The crime scene was Liberty Island, but the blood spatter reached from Battery Park to Ellis Island. Yellow tape couldn’t contain it. The Staten Island Ferry captains were calling in sick rather than sail past her corpse.

INITIAL OBSERVATIONS

She was still warm when I took the police boat over, which told me the murder was fresh as this morning’s bagel. The killer wanted us to find her like this, toppled forward off her pedestal, torch extinguished in the harbor water, tablet cracked down the middle. The inscription remained readable through the break: “Give me your tired, your poor…” But someone had tagged it with red spray paint: “OFFER EXPIRED.”

I lit another cigarette and walked the scene. Her crown’s seven spikes stood bent and twisted. In the water around the island, I found children’s backpacks bobbing in the harbor. Spider-Man, Frozen, Pokémon, the kind kids clutch when masked and uniformed strangers thugs break down doors at dawn.

WITNESS STATEMENTS

David Steinberg, Journalist: “I recorded every broken promise, every shattered law, every deleted regulation. They tried to shut me up, deport my sources, kill my stories. But someone had to keep the record. Someone had to remember what she looked like before they took the knife to her.”

Anonymous Federal Worker: “The shutdown wasn’t chaos—it was surgery. Precise. Calculated. They knew which departments to gut first, which services would scream loudest. Like watching someone dissect a living patient.”

Carmen Rodriguez, Bronx Mother: “They came at 4 AM. ICE, a few of them said, but most said nothing. Took my babies while they were still in their pajamas. My neighbor, she tried to film it. They took her phone. They took her too. And their eyes . . . their ICE eyes looked empty. They’d killed something inside themselves first.”

Mike O’Brien, Con Edison Supervisor: “They cut power to the whole South Bronx last week. Said it was maintenance. But I saw the orders. They came from high up. Real high. They’re turning off the lights, neighborhood by neighborhood, erasing parts of the city.”

AUTOPSY FINDINGS

The coroner was Dr. Ruth Goldstein, been cutting up New York’s dead since Giuliani’s first term. Her hands held steady, but her voice cracked, ice in warm whiskey.

Cause of Death: Multiple contributing factors

  • Acute Constitutional Hemorrhaging
  • Systematic Organ Failure (Justice Department, State Department, EPA)
  • Blunt Force Trauma to Democratic Processes
  • Poisoning via Disinformation (blood toxicity off the charts)
  • Strangulation of Free Press

“Forty years I’ve been doing this,” Goldstein said, peeling off latex gloves. “Seen nothing like it. It’s overkill, Detective. Someone didn’t just want her dead. They wanted to make an example of her.”

SUSPECT PROFILE

The killer operated in broad daylight, Fifth Avenue penthouse type who treated laws as suggestions and democracy like a hostile takeover. This wasn’t a crime of passion. It was a business transaction, hostile acquisition of a 249-year-old corporation.

Physical Description: Spray-tan complexion, architectural hair, suits that cost more than a cop’s annual salary
Known Associates: A rotating cast of oligarchs, fixers, and true believers
Modus Operandi: Gaslight, Obstruct, Project, Intimidate, Lie, etc.
Previous Crimes: See filing cabinets 45 and 47

But here’s what chilled me to the bone: the accessories after the fact. The reps and senators who held her down. The judges who sharpened the blade. The millions who live-streamed the murder and hit “like.”

THE INVESTIGATION

I started where every New York cop starts. I followed the money. It led me through Wall Street towers and offshore shells, through Moscow laundromats and Saudi investment funds. Every thread pulled revealed two more until I had a conspiracy that made the Five Families look like a church bake sale.

The immigration raids. The infrastructure blackmail. The journalist deportations. The power cuts. All connected, all coordinated, all designed to kill not just the body but the very idea of what she stood for.

I interviewed kids from the raids when their lawyers could sneak me past the guards. One girl, maybe seven, drew me a picture with crayons some church lady had smuggled in: Lady Liberty on the ground, her torch being used to burn apartment buildings.

“Is she dead?” I asked.

“Mama says she’s just sleeping,” she whispered. “Says she’ll wake up when enough people remember the dream.”

Three weeks into the investigation, working out of a precinct that felt emptier every day as cops got reassigned to ‘federal support duties,’ I noticed something.

Lawyers working pro bono out of Brooklyn basements. Teachers holding classes in churches when their schools got shut down. New York Times reporters publishing from undisclosed locations after their building got raided. Bodegas feeding families whose food stamps got cut. The city that never sleeps refusing to close its eyes to what was happening.

I took the ferry out to Liberty Island at dawn. The statue remained down, still dead. But in the pre-dawn darkness, I saw them. Thousands of lights. Phones, candles, flashlights from boats. Each one a tiny flame, together bright enough to outline her fallen form.

That’s when I knew what wouldn’t make it into the official report.

FINAL DETERMINATION

Case Status: Homicide confirmed. Victim DOA.

Additional Findings: Unusual post-mortem activity observed. While subject shows no vital signs, grassroots nervous system remains active. Cellular regeneration noted at community level.

Lady Liberty was dead as Hoover. The America that survived the Depression, won the World Wars, faced down the Soviets—that dame had sung her last song.

But here’s what thirty years of homicide taught me: Some victims don’t stay dead. Some ghosts are too stubborn, too angry, too damn New York to stay down.

DETECTIVE’S PERSONAL NOTE

I’ve worked enough murder scenes to know dead when I smell it. But I’ve also lived in New York long enough to know that this city’s got more lives than an alley cat.

The killer’s still walking free, still posting from his penthouse, still signing executive orders with her blood. The accomplices are still on cable news, explaining why she had it coming.

But in the Bronx, mothers are organizing. In Brooklyn, communities are building their own support networks. In Queens, immigrants are documenting everything. In Manhattan, even some Wall Street types are whispering about resistance. In Staten Island . . . well, Staten Island’s complicated, but even there, some folks remember what that torch used to mean.

Lady Liberty is dead. Long live Lady Liberty.

I’m filing this case closed, but I ain’t closing the book. Because every good cop knows that sometimes you solve a murder by making sure the victim comes back to haunt the killer.

The rain’s stopped. Dawn’s breaking gray over the harbor. Somewhere, a kid in P.S. 92 is pledging allegiance to a flag that doesn’t mean what it used to. But maybe—just maybe—it’ll mean something again.

I light my last Lucky of the night and watch the sun rise over the city.

If Liberty’s gonna rise from the dead, it’ll start here, in the boroughs, in the projects, in the spaces between what was and what might be again.

Case closed. Investigation ongoing.

Detective Joseph Law
Badge #1886
NYPD Homicide Division
October 2025

P.S. They can kill the body, but the ghost? The ghost is gonna haunt them till judgment day. And brother, judgment’s coming.


Daniel P. Douglas is the pen name for identical twins Phil and Paul Garver. Daniel P. Douglas has been named a Foreword Reviews 2014 INDIEFAB Book of the Year Awards Science Fiction Finalist and is a Readers’ Favorite Award winner. His first novel, Truth Insurrected: The Saint Mary Project, centered on a decades-old government coverup of contact with extraterrestrial life. The Richter’s War series blends sci-fi with hard-boiled intrigue in Los Angeles during World War II. Douglas’s first nonfiction endeavor, Six-Shooters and Starships: A Comprehensive Guide to Crafting Space Western Stories, explores the rich history of the Space Western genre in fiction and entertainment media. In 2025, the first two books of the space Western series, Wild Frontier Chronicles, were released along with other expanded universe projects. Please visit the “Intelligence Bulletin from Author Daniel P. Douglas” on Substack for more information.

Photo credit: Chris F via a Creative Commons license.


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astomatous

By Victoria Reyes

                    for Mahmoud Khalil

itstartedoffanordinaryday. suddenly:accosted. handcuffed.kidnapped. withoutawarrant &with
holdingtheirnames, ICEagents tearyou fromyourdoctor wife,8monthspregnant, filmingtheordeal.
secretedtoa Louisianabunker, you’regivennopillow tolaydownyourhead, nocloak
tostaveoffthecold, missingthebirth ofyourchild. forwhat longingforaFreePalestine?
anendtogenocide? youareremindedofSyria. Werecall genocide &enslavement asU.S.origins. thereisnofreespeech—

only the rich have mouths.


Victoria Reyes (she/her) is a writer, poet, and scholar. She’s also the author of Global Borderlands: Fantasy, Violence, and Empire in Subic Bay Philippines and Academic Outsider: Stories of Exclusion and Hope. Her poetry has appeared in Feminist Formations, Departures in Critical Qualitative Research, and Dissident Voice.

Photo credit: Henry Burrows via a Creative Commons license.


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The In-Between

By Krista Lee Hanson

                          For Renée Nicole Good

You said your soul lived, perhaps,
in-between your pancreas & large intestine.

My soul has been skittish,
these days, hiding, perhaps
in-between my cranium &
cervical spine, under hunched shoulders
bracing for the next disaster,

but your violent
murder,
the sudden snuffing of your life,
your mother-poet light,

the horror of it has shaken me,
rattled something loose,

and in the aftermath my soul has spread
wide as a lake on a windless day,
clear as this winter breath,
fully inhabiting my gut with the knowing:

we are many millions more than
mercenaries and despots,
we the people, who threaten the regime by loving
the things they cannot sell us: our neighbors,
friends and strangers, children and their teachers,
the ones they have insisted are other,

and, also, the migrating birds,
the coyotes and beavers,
the trees with their secret language,
their souls telling stories in the soil,

and the hope that comes,
every single sunrise, that our love
and solidarity is magnetic,
drawing more and more
people into our circles.

You wrote about sacred texts,
wondered about science and
faith meeting, asked if those religions
could be as gentle as your mother,
sliding long hairs behind your ear

and now we know your mother
is both tender and fierce,
your wife, too, speaking your name,
calling you baby—
            drive, baby, drive

& now telling the world
about your Goodness.


Krista Lee Hanson (she/her) lives in Seattle, Washington, home of the Coast Salish people, with her partner and two children. Krista’s writing has appeared in The Rumpus, The Normal School, Rad Families, A Celebration and other publications. She has been a finalist for CRAFT’s Flash Nonfiction prize, and she was nominated for the 2025 Pushcart Best of Small Presses prize. Currently, Krista is writing a memoir about disability and complex care, and organizing with her neighbors to build webs of community care. Visit her website at kristaleehanson.com.

Poet’s Note: This poem is in response to On Learning to Dissect a Fetal Pig, by Renee Good (previously Renee Nicole Macklin).

Photo credit: Diana via a Creative Commons license.


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The Law

By Anne Reiner

                            For Alex Pretti

we’re all under the same law
Newton’s third
where forces always come in pairs 

tear gas roars at 
a citizen
a citizen 
roars back with an
equal and opposite force
of a protest 

a knee pushes against
a neck 
a neck
pushes back with an 
equal and opposite force 
of a movement

an agent of the state shoots
a bullet 
a bullet 
a bullet 
a bullet 
a bullet 
a bullet 
a bullet 
a bullet 
a bullet 
a bullet 

• • •

my young son tells me
a ball could pass through a bat
if all the atoms 
arranged themselves
with unerring exactness

if we the people 
had a rising
that was 
atomic 

and arranged ourselves
just 

so we passed
right through them

a strike without a hit 

in our unequal and opposite 
reaction

to lay down
the law


Anne Reiner is a writer and biostatistician based in New York City. Visit her website at annereiner.com.

Photo credit: Jay Rembert on Unsplash.


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The Boy

By Raima Larter

The boy grasps the rope, swings out over the river whooping, lets go, splashes, laughs. The light is a misty green and it all seems a dream, a time that never was. 

The crowds march in subzero cold, breath freezing in nostrils, shoes squeaking on frozen snow as booted troops watch from the side. Their leader stands calm in his long coat, watching the children wave placards.

The boy’s childish scrawl infuriates the man in the long coat who hustles him into a waiting van. The boy wonders which world he belongs in: the river or the van?

The boy swings out again over the water, dripping from his earlier swim in the lazy river, wondering if this life is the dream or is it the one in the back of a dark van, squeezed between men he doesn’t know. Their bodies stink of fear. Their wrists bleed from tight handcuffs.

The people march. Some wear clerical collars, some robes. They hold up their hands in prayer, chanting. With God all things are possible, they say. God is with you, they promise.

The boy wants to believe. The boy also wants to cover his eyes, block out the world he is in, but he can’t move his hands. He is bound tightly, here among the prisoners. 

The boy wants to believe he is at the river, but he knows he is in the van. It is warmer in the van than it was outside. The boy is glad he still has his nice warm hat. At least he has his hat.

The people march in the street, a sea of humanity blowing whistles. The people shout at the invaders to leave their town, return their children, go back to where they came from, which surely must be hell, a place warmer than the one they march in.

The booted men watch as people surge and fill the streets. The man in the long coat stands, his hands hidden in pockets as the people blow their whistles. 

God is with you, the whistles shriek. God is with you. With God, you can do anything. 

Anything.

Anything.


Before moving to Colorado, Raima Larter was a chemistry professor who secretly wrote fiction and poetry and tucked it away in drawers. She has published four novels, a nonfiction book, and numerous short stories. She is Nonfiction Editor at Utopia Science Fiction. Read more at raimalarter.com.

Photo credit: Enoch Leung via a Creative Commons license.


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Unbroken

A Poem by Karen Crawford

There was a dream
a welcome
a torch
a flame
A yearning to breathe free
Now a mask of men in unmarked cars
willing to bend an arm
a knee
There’s a mission
should they choose to accept it
A price
should they choose to collect it
There’s a feast at a Mexican restaurant
after dinner they’ll raid it
There’s news coverage
there’s pressure
Without fear
Without favor?
Opinions first
Alternative facts later?
Snow
Whistles
Bounties?
Saviors
Where are you from?
Show me your papers
There’s a sweep
a goal
a quota
a spin
The worst of the worst
code for color of skin
Does it feel Pretti Good to commit cardinal sin?
Snap tackle pop
Tase for the win
Where’s your nurse at
your gardener
your nanny
your cook?
Going going gone
by hook or by crook
Their status unprotected
Greener pathways rejected
This land is not made for you
Just me
Maria
last seen at Our Lady of the Holy Rosary
Miguel
last seen in the parking lot of Home Depot
Yolanda
last seen Living Más at Taco Bell
Jose
last seen running from La Migra
Maria
Miguel
Yolanda
Jose
Say their names wear it out
Maria
Miguel
Yolanda
Jose
May God shed grace on thee
Maria
Miguel
Yolanda
Jose
Unbroken in the land of dreams


Karen Crawford is a writer, with Puerto Rican roots, who lives and writes in the City of Angels. Her work has been included in Best Microfiction 2025Fictive DreamBending Genres, The Citron Review and elsewhere. You can find her on X @KarenCrawford_ and Bluesky @karenc.bsky.social.

Photo credit: Smithsonian Institution


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Warning

By John L. Holgerson

                                            after the poem Warning by Leonard Cohen

If your neighbor disappears
Oh if your neighbor disappears

The Hispanic man from Venezuela
who helped you paint your house
or the young woman who babysat
your children while dressed proudly
in that rainbow-colored blouse

If your neighbor disappears
Oh if your neighbor disappears

Don’t ask what happened
to the multi-tatted Black man
who lived on your block
or the foreign college student 
with whom you liked to talk

Beware of the men wearing balaclavas
who cruise our streets each day
They have plans you can’t ignore
or else there’ll come a tapping,
rapping, pounding on your door

When your neighbor disappears
Oh when your neighbor disappears.


John L. Holgerson is the author of three books of poetry, Convictions of the Heart (In Case of Emergency Press 2021), Unnecessary Tattoo and Other Stains on a Stainless Steel Heart (Finishing Line Press 2016) and Broken Borders (Wasteland Press 2012). He has published poems in small literary journals, both in print and online. He is listed in the Poets & Writers’ Directory of Poets and Writers; is one of three MassPoetry representatives for Bristol County, Massachusetts; and is co-host of For the Love of Words, airing on Easton Community Access Television in North Easton, Massachusetts. The monthly program showcases performances of local, regional, national and international poets and musicians. For more than three decades, he was a criminal defense attorney with The Massachusetts Defenders Committee. Visit his website.

Photo credit: Prachatai via a Creative Commons license.


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The Right Hat

By Luke Walters

 

The little girl’s teal hat is what caught my eye. She and a woman were hugging the bottom of a gravel drainage ditch, hidden from sight—except to me, perched high in my rig.

I’d just passed dozens more like them sitting cross-legged along the highway next to green-striped border patrol trucks. Their hike across the desert from the Mexican border at an end.

Having headed the back way to Phoenix to avoid the zoomers and the Department of Public Safety, I’d left Tucson early to pick up a trailer of fresh chilis at a farm west of Casa Grande. With the sun rising behind me and miles of highway in front of me, I’d been sleep-driving 75-mph down I-8, a four-lane, flat-straight black-ribbon of asphalt cut through the rough Sonoran Desert. After skating on and off the white edge line for maybe twenty miles, I decided I wanted to live for another day, turned off, and wrestled my 18-wheeler into the parking lot of the rest stop—nothing more than paved-over desert with a half-dozen picnic tables. That’s when I spotted them.

Now, parked lengthwise in the empty lot, I scooted on over to the passenger’s side, pushed past my stack of crossword puzzle books, opened the door, and let my legs dangle out. A can of Monster in one hand and an unfiltered Camel in the other, I relaxed, taking in the monotone landscape. My old favorites, Waylon and Dolly, brought back too many memories and the regrets that came with them, so I listened now to Mozart.

The woman and the girl raised their heads to stare at me. I paid them no mind. After a quick jolt of caffeine and a hit of nicotine, I planned to be back on the road. The pair of fence jumpers weren’t any of my concern.

At least that’s what I thought, until the green-striped SUV of the border patrol passed through the lot.

After scanning the desert behind the picnic tables, the driver, a woman in an olive green uniform, stopped next to me and opened her window. She had the same burnt-brown skin and coal-black hair as the pair in the drainage ditch.

“Howdy, officer,” I said, shutting off the music. “Beautiful morning for catching beaners,  ain’t it?”

Not answering, she gave me her cop smile while studying me. Too much Burger King and too many bottles of Bud showed on my face and my ass. Pretty, I wasn’t.

“Sir, is there anything you’d like to tell me?”

I blew out a smoke ring. “Yeah, there is.”

She watched me, tapping her steering wheel, as I crushed out my butt on the heel of my boot.

I raised my eyes to her.

The woman pulled the little girl close.

“Well, what is it?” the officer asked.

Taking off my Make America Great Again ball cap, I held it out, turning it for her to see. “Just got this. Looks nice, don’t it? Some big-smiling guy who wanted me to vote was passing them out at the garage. I liked my old John Deere better, but it was grungy—all sweat stained and greasy.”

Squaring my new red cap on my head, I said, “Not sure what it is, but somehow, there’s something about this one that just doesn’t feel right.”

The agent waited for me to say more. When I said nothing, she asked, “Is that all?”

“Yeah, that’s all.”

“Okay, sir,” she said, rolling her eyes like she’d been talking to someone simple, and she zipped out onto the highway.

I glanced toward the ditch. The little girl and woman smiled at me. Those were the first genuine smiles I’d gotten in ages. They lasted with me all the way to Phoenix, where I dropped them off.

 


Ed Radwanski, aka Luke Walters, resides in Arizona. His flash fiction has appeared in Yellow Mama, Mash Stories, Post Card Shorts, and in Envision – Future Fiction, an anthology by Kathy Steinemann, published on Amazon.

Photo by Ryan Riggins on Unsplash.