Awaiting Harris’ Concession Speech November 6, 2024

By Dotty LeMieux

A woman adjusts the flags lining the stage
just so, as if perfectly draped flags
can protect us from the ignominy
of the next four years.

On stage, the flags wilt
despite folding, tucking,
crimping.

A young man in the crowd raises
his iPhone high above his head,
its flashlight beaming out.
With his other hand he holds
a plastic water bottle
on top of the phone,
a pale tribute
to a lost Lady Liberty.

While a nation holds
its ragged breath,
polar ice melts,
oceans die,
billionaires increase
their wealth and power.

In Texas, Oklahoma,
Georgia, Indiana—
Women bleed
in parking lots,
on hospital gurneys,
waiting—

Waiting

           still waiting



My pronouns are she, her, hers. I often write what might be called political or topical poetry. Much of it is in my five chapbooks, three long out of print, but the most recent are Henceforth I Ask Not Good Fortune from Finishing Line Press, 2021, and Viruses, Guns and War from Main Street Rag Press, 2023. My work has appeared in several anthologies, Writers Resist, Gyroscope, Rise Up Review, Poetry and Covid, MacQueens Quinterly and more. I live in northern California with my husband and two active dogs.

Photo credit: Adam Fagen via a Creative Commons license.


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Standard Safety Recommendations: Revised, 2025

By Ryan McCarty

Honesty may no longer be the best
policy, depending on who’s asking.
And sometimes accepting a ride
from strangers is the safest way home.
Do not secure your own mask
before helping children or others. 
Listen to your body, though.
Carrying heavy weight at arm’s length
can stagger you. Bent knees alone
will not be enough to do all the lifting.
Hold what needs to be picked up
close to your chest. Share warmth
with people who are in the cold.
If you smell smoke, do not wedge
a wet towel under the door. Listen
for coughing and the scuff of bodies
looking for fresh air. Always let them in. 
It is still better to be safe than sorry,
because jails and mass graves 
will never be emptied by apologies. 



Ryan McCarty is a writer and teacher, living in Ypsilanti, Michigan, where the poems walk around talking to each other and doing the good work, even though it seems like there’s more to do every day. His writing has appeared recently in places like Abandoned Mine, Blue Collar Review, Door is a Jar, Left Voice, Michigan Quarterly Online, Rattle Poets Respond, and Trailer Park Quarterly. He also writes at ryanmccarty.substack.com.

Photo credit: Wordshore via a Creative Commons licsense.


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Stars and Stripes: Registering Voters in the Travis County Jail

By Lauren Oertel

We see stars in their eyes—the legal technicality
allows them to imagine voting for the first time.

Then the stars fade
like the overwashed
thick stripes on their shirts.

Heavy doors buzz, razor wire-topped pathways
snake between buildings.

Guards mutter Make America Great Again
when they see our clipboards and registration forms.

It’s the shower shoes—thin, terracotta-colored,
plastic sandals, barely protected feet.

We might expect old glory to save us.
Save us from this man with scars on his face
that run not as deep as the ones on his heart.

Save us from that man whose injured hand
shakes as he signs his name.

Are they not here in the name of my protection?

Back out to face the wall, arms up, legs spread,
brace for the unwelcome hands. Back into cells.



Lauren Oertel is a community organizer and passionate supporter of authors, books, writing communities, and local bookstores. Her work has been published in The Ravens Perch, Evening Street Review, Steam Ticket, The Bluebird Word, The Sun Magazine, and more. She lives in Austin, Texas, with her partner Orlando and their tuxedo cat Apollonia.

Photo credit DonkeyHotey via a Creative Commons license.


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Inauguration Day

By Linda Parsons

                    I’m bleeding
                              I’m bleeding
          on the sheet and pillow    not
my monthlies        so many moons    gone.
          On the sheet   a red thread
                     unraveled
in sleep    stain hardened    to rub and soap.
                              I bleed
like a girl   the coldest winter    I’ve known
          splits    skin       streaks
my pillow   sheet    pulled to my chin.
                    I’m bleeding
for my daughters    and granddaughters
                    soft bodies
          sold in the marketplace
                              the coldest coin
          I’ve known.   All of us 
                    dying
                              in moons to come  
sheets pulled    to our chins    bloodied  red.  
          Won’t someone    breathe
                    soft    on our skin
          lift stains    from winter’s cold
                    bed?   I cannot bear 
               the weight   my skin    sacrificial
          torn loose   these longest    of nights.
                    Daughters, granddaughters,
bear this    dark day.    Rage    rage    curse
          the draining   of light.
                              I bleed
          for this blue and red
                    gash of country, for the drums   
                              beating past
     Lincoln’s feet.   Let the streets    run
with   girls   still believing   let
                    their birthright
          burn    white heat.
                    Only bright day
will wash   our bodies    past broken
          belief    blood    in its mercy
rubbed clean.    Only then   will we    break
          this cold bargain,
                              until then
                    you will see   
          how I bleed.



Poet, playwright, essayist, and editor, Linda Parsons is the poetry editor for Madville Publishing and the copy editor for Chapter 16, the literary website of Humanities Tennessee. She is published in such journals as The Georgia Review, Iowa Review, Prairie Schooner, Southern Poetry Review, Terrain, The Chattahoochee Review, Shenandoah, and many others. Her sixth collection is Valediction: Poems and Prose. Five of her plays have been produced by Flying Anvil Theatre in Knoxville, Tennessee. 

Photo by Haberdoedas on Unsplash.


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The Bishop

By Lao Rubert

                 –for the Right Reverends Mariann Budde, Anne Hodges-Copple and Scott Benhase

Before dawn she packs her briefcase
swivels its four gliding, revolving wheels
and marches through the door
in puffy down, long underwear
beneath her slacks. Garment bag
slung over her shoulder. Snow boots
grip black ice as she clicks
the car door open, slides in.
She arrives early, in time for the thick
El Salvadoran coffee Ana brews.
She has a speech to make.

Inside the drafty cathedral she dares
to lay a single word upon a silver tray.
Perhaps it is the audacity that offends
as she declares Mercy, and then again,
Have mercy, draping the phrase
like a string of pearls around his neck.
Disgraceful, insulting, fear-mongering,
he yelps, his power pricked.
Supplicants jeer, the street’s upended.
He stays up late, combats the words,
demands a mea culpa be extended.                                                                   

There have been death threats, she smiles.
They’d like to see me dead.
No apologies. Instead, she packs her robes,
rochet and chimere, white and scarlet,
alongside her embroidered black tippet.
Outside, the traffic roars and wails.
Beggars make their afternoon requests
and the Bishop counts the miles that she must go
as tributes mix with calls for her demise.
Some say she’s blessed.



Lao Rubert lives in Durham, North Carolina. Her poems have appeared – or will appear – in Atlanta Review, Barzakh, Collateral, Mantis, Mom Egg Review, Muleskinner, Poetry East, The Avenue, The Marbled Sigh, Wordpeace, Writers Resist and elsewhere. Rubert has spent a career working to reform the criminal justice system.

Photo Credit: Steve Robbins via a Creative Commons license.


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Marked

By Fendy Satria Tulodo

I was twelve when I figured out the world had already decided what to call me. Not the name Ma whispered soft as a prayer when I was born. Not the one my teachers read off the roll sheet. Not even the one my little brother mumbled when he had bad dreams.

It was something else. Heavier. Something that wrapped itself around me like a second skin, tight and unshakable, no matter how carefully I moved, no matter how many times I tried to stand taller.

It started with a look.

Not the kind people give when they’re just curious, when they’re trying to remember if they’ve seen you before. No—this one stuck. Followed me. Slipped into rooms behind me. Hung around in places where I should’ve been invisible.

But I wasn’t.

The Store

The first time I knew I was marked, it was a Wednesday. Just another day. The air smelled like fried food and gasoline, thick and familiar near the station. I had a few bills in my pocket, enough for a drink. Maybe some candy if I picked right.

The shop was the kind with a rattling fan in the corner and shelves full of things that never seemed to sell. Dusty bottles of soy sauce. Batteries in faded packaging.

I walked in, hands in my pockets.

The man behind the counter looked up. His gaze landed on me—and stayed there.

At first, I ignored it. People stared. That was nothing new.

But then I took a step toward the fridge. And he stepped out from behind the counter.

“Need somethin’?” His voice was sharp, cutting the space between us.

I nodded. “Yeah.”

I reached for the door handle.

“Which one?”

I blinked. “What?”

“Which drink you want?”

I frowned. “I dunno yet.”

His jaw tightened. “Then hurry up.”

The way he said it—like I didn’t belong there, like I was some kind of problem just for existing—made my hands tighten at my sides.

I reached for the blue bottle, the same one I always picked. I already knew I was short on change. Didn’t matter.

The second my fingers brushed the glass, he shifted.

Not fast, not loud. But definite.

A shift in his stance. A glance toward the counter. A weight in his right hand.

I dropped the bottle.

Didn’t even hear it hit the tile.

“Out.”

He didn’t have to say it twice.

The Walk Home

The street felt different after that.

It wasn’t the first time I’d been told to leave a place. But it was the first time I felt like I wasn’t just leaving a store. I was leaving something bigger.

I walked fast. Past the laundromat where the old ladies sat with baskets full of stories. Past the barber shop where Mr. Joko always gave me a nod like I was somebody. Past the cracked sidewalk where my little brother liked to draw lopsided stars.

At home, Ma was folding clothes. The air smelled like detergent and warm fabric.

She didn’t look up when I walked in. “You get your drink?”

I shook my head.

“Why not?”

I swallowed. “Didn’t have enough.”

She kept folding. Her hands were steady, smoothing out wrinkles, tucking in sleeves.

She didn’t ask anything else.

But that night, when she thought I was asleep, I heard her on the phone.

Voice low.

Sharp.

Angry.

“How do I tell him this is just the start?”

The Return

The next day, I went back.

Not because I wanted to. Not because I was thirsty.

But because I had to.

I needed to know if it was real. If it was just that day, just that moment. Or if it was something deeper. Something permanent.

I stepped into the store.

The bell jingled.

The fan rattled.

And the man behind the counter looked up.

His eyes landed on me.

And just like that, I knew.

It wasn’t about the drink. It wasn’t about the coins in my pocket.

It was about me.

I walked slow. Let him see.

I stopped in front of the fridge.

Opened it.

Took my time.

The air from the fridge was cold against my face. My fingers curled around the same blue bottle.

I turned.

Met his eyes.

And I dared him to stop me.

The Line You Can’t See

The counter felt . . . off. Like it had backed away just a little. Maybe it was in my head. The bottle was wet, slipping slightly as I held on tighter. A thought whispered—leave it, just go, see if he even reacts. But I wasn’t a thief. I was doing nothing wrong.

I stepped closer.

His stare locked on me. He didn’t budge, but his fingers twitched, just barely. Like he was gearing up for something. Like he saw a line in front of me that I didn’t even know was there.

I set the bottle down. Shoved the money forward.

He didn’t take it.

His eyes flicked to the security cam, then back at me. No words. Didn’t need any. I got the message.

He was measuring me. Deciding.

The air between us was heavy.

Then, slowly, he reached for the money.

The register beeped. A drawer clicked open. A moment passed, then a crumpled note landed on the counter. Change.

I picked up my drink. Turned.

I made it halfway to the door before he spoke.

“Don’t linger.”

The words weren’t loud, but they hit like a slap.

I stepped outside.

The bell jingled behind me, sharp and final.

More Than a Store

I stood on the sidewalk, bottle gripped tight, the pavement burning through my soles. People moved past—some fast, some slow—but none of them noticed.

None of them saw the line I had just stepped over.

The world kept moving like nothing had happened.

Like I hadn’t just been marked.

But I knew.

I turned the bottle in my hands, watching droplets slip down the plastic, vanishing into nothing. Such a small thing. Simple. But the store didn’t feel small anymore.

It wasn’t just a place to buy a drink.

It was a gate.

A test.

A reminder.

You don’t belong here.

You can leave, but you’ll still be carrying this with you.

I opened the bottle, took a long sip, and let the cold settle in my chest.

It didn’t change anything.

But it was mine.

The Lesson Ma Knew

That night, Ma was quiet. Not in the way she usually was, when she was tired after work. This was different.

She was waiting.

She knew I had gone back.

I set the half-drunk bottle down on the kitchen counter.

She looked at it, quiet for a second, like the words were stuck somewhere before they finally came out.

“Did he say anything?”

I hesitated. “Just told me not to linger.”

Her fingers tightened around the dish towel she was holding.

Then she exhaled, slow.

“Good.”

I frowned. “Good?”

She turned to me, eyes steady. “Means you didn’t let him push you out.”

I wanted to tell her it didn’t feel like I’d won anything. That it still felt like I was standing outside that store, even now.

But she already knew that.

She patted my cheek, her fingers rough but warm. “Now you know.”

“Know what?”

Her smile was sad. “That this isn’t about you.”

I didn’t understand what she meant.

Not yet.

But I would.

Marked, But Moving

Days passed. Then weeks.

I walked past that store almost every day. Sometimes I went in. Sometimes I didn’t.

The man never said anything more than what was necessary.

But the look stayed.

That weight. That mark.

It never left.

And yet—

Neither did I.

I stepped into other places, other rooms, other streets where that same look followed me. And every time, I carried that first lesson with me.

This isn’t about you.

But it still touches you.

Still lingers on your skin, in your shadow.

I could let it push me down.

Or I could keep walking.

I knew which one Ma would want.

And so, I walked.

End.



Fendy, a writer, musician, and creative mind from Malang, Indonesia, explores fiction, nonfiction, and business theory. His works have found homes in literary magazines and academic circles, reflecting his diverse storytelling and analytical depth. When he’s not writing, he explores storytelling through music under the name “Nep Kid.”

Photo credit: Photo by Robinson Greig on Unsplash.


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Saved

By Phyllis Wax

This time
will it be an ark
or a spaceship
when God decides
to cleanse the earth?

When rising oceans
submerge the coasts                    
and fire, flood and wind
ravage the rest,

when wars and wickedness
are rampant, when compassion
collides with greed

who will gather their loved ones
to climb aboard—

the righteous                   
or the rich?



Phyllis Wax writes on a bluff overlooking Lake Michigan in Milwaukee, WI. She grew up in the Washington, D.C., area, and is distressed by what is going on there these days. Her poetry has appeared in many publications, including Writers Resist, Jerry Jazz Musician, Rise Up Review, Spillway, Peacock Journal, Gyroscope Review, Wordpeace, New Verse News, Mobius, Your Daily Poem.

Photo credit: jaci XIII via a Creative Commons license.


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you’re all for autism acceptance ’til

By Lauren Withrow



Lauren Withrow is an autistic disability advocate, mother of two autistic children, diverse writer, TikTok creator (@thegirlbehindthe_mask_), and Lead Registered Behavior Technician. Her poetic writing explores themes of autism, identity, love, and justice drawn from personal and professional experience.


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The Age of Unreason

                    “He who destroys a good book kills reason itself.”   – Milton

By Matthew Sam Prendergast

                    Read to a creative writing class on August 29, 2024:

As you all obviously know, I teach creative writing. But I also teach those pesky Gen Ed composition classes you have to take. I have recently been instructed by the legislature of Indiana that if I “subject” you to ideologies outside of the boundaries of my discipline, such behavior can, and probably to their mind should, be grounds to deny me promotion and tenure. The law also encourages you to file a complaint if I trespass on ideologies.

I should note that I am part of the growing army of contingent faculty, a year-to-year contract worker, so I could stop here and say this subject is irrelevant to me. But the situation could be worse. The university could fire me even more easily. In simpler times, like 1973 Chile or 1939 Spain, we would have been spared any of this by just putting me against a barracks wall.

But these types of laws are how it is done today in a supposed democracy with ostensibly free speech. They are deliberately vague so as to chill speech. As a hypothetical high school teacher in Florida, were I to say that “racism is bad and something should be done at the structural level to redress it,” I don’t consider it implausible that a school board could use state legislation to fire me. It wasn’t enough for them to just ban AP African American Studies, citing the fact that it has “no educational value.”

Furthermore, let’s say I was married to a man, rather than just wanting to be. If I had a picture of my husband on my desk in a third-grade classroom and a student asked who he was and my reply was “That’s my husband,” it’s possible that such a reference to gender and sexuality could be used as grounds for dismissal. The law is so vague in referencing age-appropriate discussions of such matters that, if a parent complained that I had this subversive discussion with a high school senior, I could be fired.

Christopher Rufo, the man most responsible for making Critical Race Theory into the ultimate boogey man of the rightwing, claims that my concerns are hysterical and hyperbolic. That I should even have reason to conduct the thought experiment is enough to make me despair for our democracy and its ideals.

Returning to the specifics of my situation, what is within the boundaries of my discipline as a teacher of composition, a teacher who has an undergraduate degree in philosophy, MA in English, and an MFA in writing? I suppose it could plausibly be argued that everything that has ever been composed is within my discipline.

Let’s play this game some more.

Suppose one of you asked if they could use the bathroom. Now suppose I answered “You do not need to ask for my permission. You are an adult and should be able to come and go as you please.” Have I not “subjected” you to an ideological position that’s not within my discipline? And if I try to explain to you why this Indiana law exists, I have again “subjected” you to a discussion of ideology not in my discipline.

If I insert any discussion of some of the interesting subjects in our current “One book, One University” text, as I am strongly encouraged to do, I risk “subjecting” you to ideologies that fall outside the boundaries of my discipline: It’s about AI. What if I ask you what it means to be truly human? What a world without work could or should look like? If AI should be used in war? Have I not trespassed on ideology?

Clearly the folks who wrote Indiana’s law have but the most elementary understanding of what is even meant by ideology. They have “radical woke gender ideology” or “Cultural Marxism” on their fevered brains as they foam at the mouth and decry the virulent spread of the “woke mind virus.” It’s a law to solve no problem, like someone in a statehouse proposing a resolution to ban Sharia law or forbid first graders from using litter boxes.

You may have seen in your history books pictures of Nazi book burnings. Perhaps you were not instructed that one of the more famous pictures is that of the nascent Nazis burning the library of The Institute of Sexology, whose founder consistently argued for gay rights, for instance when he advocated for the repeal of Paragraph 175 of the penal code which criminalized sexual acts between men. The Jewish writer Heinrich Heine said in 1821, “Where they burn books, they will ultimately burn people too.” Certainly, he has been vindicated.

Today, we see viral pictures of library books from Florida’s New College being thrown into a dumpster, many about gender, sexuality, and race. Now I’m not such an alarmist as to think that I will be deposited in the dumpster. Not yet anyway. I think they’ll be content if I lose my job or am denied promotion and tenure. I think they’ll be content if I can’t marry whom I choose. Perhaps they won’t go further than that.

However, I’ve also been ordered by the legislation to include “intellectual diversity” in the classroom, the language more often cited in these discussions. That would credibly mean defending book burning if my intellectual and ideological position is that book burning is wrong. What might I say? It effectively kept them warm? And of New College, what might I say? I might say at least the state and the right-wingers who took over the school are conceivably sincere in their stated aim to protect twenty-year-olds from the woke mob and its authoritarian efforts to control the scope of what we as a culture deem appropriate thought and ideology. Then, I don’t teach psychology, and it may be dangerous for me if I step out of my lane and explain projection to any of my students, even in my efforts to insert “intellectual diversity.”

I don’t think it will ever come to pass that geologists or anthropologists will be forced to explore, let alone defend, the belief that the earth is flat and six thousand years old and thus that humans have been on the planet for that long. That a biologist will have to teach creationism if they teach evolution. I am certain that those who wrote this law never considered the fact that any economics teacher could conceivably be enjoined to insert Marxist political economy into their classes if in that same class they have a discussion of free markets. But I will say it again and continue to say it, the mere fact that I have to consider any of this is frightening enough.

So, let’s play some more in this dystopian playpen masquerading as a developed democracy in the twenty-first century. I could teach the debate over whether it is still necessary to avoid ending a sentence in a preposition perhaps. But then I am not a linguist and could not have a discussion of the divide between descriptive and prescriptive linguistics as an ideological discussion in that discipline. Do I need to teach students the importance of writing poorly for the sake of intellectual diversity? To explore the arguments for why plagiarism is just fine? That we should abandon the project of writing altogether and leave it to AI? Have a lively debate about whether APA or MLA is the superior documentation style? That paragraphs and thesis statements are unnecessary hindrances? That their goal should be obscurity and verbosity rather than clarity and concision? I suppose these are the ideological debates I may “subject” students to if I am to stay within the boundaries of my discipline.

In our creative classroom, perhaps it is not yet too risky to read Brecht’s “The Burning of the Books.”

I woke up at two in the morning to write this. Why? I was nervous for this reason: Given the lack of communication from the university about navigating this law, I wrote to someone active in the university senate about plans to address these ambiguities. He passed my thoughts on to the executive committee of the senate. I don’t know why he thought a friendly email between colleagues warranted such an action. He was probably just trying to be helpful.

I am a coward, really. I would not have been willing to go to Spain and take a bullet through the throat like Orwell or contribute to the resistance like Camus. I can’t confidently claim that I would even have the courage to hide someone in my attic. But the fact that it could be an act of bravery to share this elegy to reason with this class, or potentially dangerous to show it to a colleague, is enough to leave me unable to sleep.



Matthew Sam Prendergast, graduate of Vermont College of Fine Arts, is a Continuing Lecturer of English Composition at an Indiana university where he maintains a steady output of critical thinkers who learn to question the status quo and avoid the “naked this” and other promiscuous pronoun usage. His debut novel, Affinity, is slated for a Fall 2025 release. He lives in Chicago with his dog and his cat.

Photo credit: Darren Smith via a Creative Commons license.


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Welcome to Writers Resist the Spring 2025 Issue

March is many things. It’s officially the bloom of Spring for some, Autumn for others. It’s Women’s History Month, days of madness for college basketball fans, a time to celebrate corndogs and trees, Benito Juarez and books. Beer, pigs, and Sigrblót, peasants and heroes and transgender awareness, and countless other things living, inanimate and conceptual.

For those dwelling in the United States or connected to it, particularly those inclined toward our pages, March hosts the seventh through tenth week of the nation’s new Christian nationalist regime, a white-male-cisgender supremacist onslaught that’s devastating in as many ways as there are official celebrations in the month of March.

In response, some of us write poetry and stories, the historians of our turmoil, if not our destruction, and this Spring issue is rich with such contributions. The overwhelmed hide in mindless TV or video games, while the outraged protest with signs and letters and phone calls to legislators. Some, the hopeful, write prayers, calls to action urging a resounding response.

And when we acknowledge our power, the power of the people, we will respond as DW McKinney encourages us to in “The Sunday After.” We will unite to insist on freedom, equity, love and acceptance. We will unite to reject the cruel, the unconstitutional, the despotic. We will Lift Every Voice and Sing the revolution.

Sing with us by joining a progressive activist organization, whether your local Indivisible, NAACP, Dem Club, or any of the many groups advocating against the unfounded and brutal federal budget cuts, abductions and incarcerations, and supporting mainstream candidates in the 2026 midterm elections.

Uncertain how to get started? Read this Spring 2025 issue. Perhaps you’ll find some inspiration.

Alyssa Beatty “Enough“

Annette L. Brown “Second Flags“

Joanne Durham “Ode to America, November 6, 2024“

Kelly Fordon “The Social Contract“

Janan Golestané “Identity Theft“

DW McKinney “The Sunday After“

Caiti Quatmann “Finger Banging Slutty Young Woman“

Ellen D.B. Riggle “Assigned at Birth“

Susan Rukeyser “You Can Tell by Looking at Her“

MM Schreier “She, I, You, We: Every Woman“

Steph Sundermann-Zinger Two Poems

Ya-Ting Yu “Ya-Ting (Iris)“

Banoo Zan “The Sea Gazelle“

Two Poems by Steph Sundermann-Zinger

What if instead of the inauguration, I wrote about birds?

The rabble of small brown ones
beneath the feeder — the ones we can never
tell apart? Or the chickadees,
sacking away sunflower hearts against
a long, bleak season? Even now, the woodpecker
beats a concussive staccato, war drum
for the bruise-blue crows mobbing
to protect their nests, while the hawk preens
his tawny feathers on the garden wall,
indifferent. The mourning dove offers
a dogged lament, every day the same
bewildered grief. And always the cardinal,
blood-bright, black-masked, attacking
his own reflection in every shining thing.


Living Queer in the Days After the Election

The barn swallows are tucked into night’s shallow pockets,
morning song already brewing in their throats. Their familiar chorus
will start again tomorrow, nothing changing, even as the males
slaughter their neighbor’s nestlings, shoving their flightless bodies
to the ground. When frightened, octopuses close themselves
into coconut shells. They practice, I tell my wife after the votes  
have been counted, when she’s too afraid to sleep. I show her a video,
an octopus dragging crude armor beneath its tender belly, contracting
into it again and again, dress rehearsal for disaster. My daughter hides
under her teacher’s desk during blackout drills. It’s probably the safest place, 
she says, but there’s only room for one. A lot of kids just pile up
in the corners.
 I think about asking her to make space for another child,
but don’t. Survival is my body’s private anthem now, breath’s wild melody,
stubborn drum of my heart clenching and unclenching, like a fist. 



Steph Sundermann-Zinger (they/she) is a queer poet living and writing in the Baltimore area. Their work explores themes of identity, relationship, and connection with the natural world, and has appeared or is forthcoming in The Avenue, Blue Unicorn, Little Patuxent Review, Lines + Stars, Literary Mama, Split Rock Review, and other journals. She is a graduate of the University of Baltimore’s MFA program and the 2023 recipient of the Ellen Conroy Kennedy Poetry Prize. They were a fall 2024 Writer in Residence for Yellow Arrow Publishing. Find her online at stephwritespoems.com. 

Photo credit: “Evening Mourning Doves” by briandjan607 via a Creative Commons license.


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Finger Banging Slutty Young Woman

By Caiti Quatmann

This poem contains themes and explicit descriptions of trauma,
including sexual violence, misogyny, and systemic oppression.
Readers are encouraged to approach with care.

When you’re the first girl in third grade
that has to wear a bra (the same year
that spice girls release their first album),
the boys will start calling you “Slutty Spice.”

& the next year, when you get your first period
(well before the health teacher comes in
to even tell you what it is, so your mom finds
you crying in the bathroom with blood
on your hands, as you ask her, am I dying?)
your name will just become “Slut.”

& by fifth grade (as you cry each night
in the bath from growing pains) when
you’re towering over every boy who won’t
start growing ‘til seventh grade,
the world will call you a young woman.

& it will tell you:
You look so grown up.
You should be a model.

& men will whisper as you walk past
the restaurant bar, following the hostess
& your family through a maze of tables
& chairs, “Look at the tits on that one.”

& your Mother, during
appetizers, will tell you,
“I would have killed
for boobs like that.”

& in the summer before sixth grade,
you’ll ride bikes with your childhood friend
to the playground at school. It’s Saturday,
so no one is there, until her older
boyfriend appears with his friend.

& when she rides off with her boyfriend,
while you’re crawling through the tubes,
his friend will slide in next to you.

& as he slobbers on your lips
& shoves his hand down your shorts,
you’ll stiffen & think about
the texture of plastic, & how the blue
is faded where the sun has bleached it.

& after labor day, when you
start middle school, you will learn
this boy has a sister in eighth grade
who told everyone to call you “finger bang.”

& in seventh grade when your friend tells you
how the math teacher (who is also your volleyball coach)
seems to call on you all the time & asks you
to walk up to the chalkboard,

& that he won’t stop looking
at your chest the whole time—
you don’t notice.

& because you’ve become so familiar with
the discomfort of men’s (& boy’s) attention,
you can’t even point to it as the reason
for the omnipresent tightness in your chest

& lump in your throat that grows bigger
& bigger each day. You’ve been desensitized
to the male gaze, learned that your body
is always available for viewing & comment.

& when you go to practice that evening,
you wear three extra sports bras
to make yourself smaller.

& in eighth grade when your friend
asks you what a blowjob tastes like
you don’t wonder why she would ask you,
why she would think you know
(you don’t actually know).

& because you’re “a Finger
Banging Slutty Young Woman,”
you explain it the best way you can.

And you tell her it tastes sweet
(because Ask Jeeves told you that
semen contains a high amount of fructose).



Caiti Quatmann (she/her) is a disabled poet, writer, author of the chapbook Yoke (MyrtleHaus) and Editor-in-Chief for HNDL Mag. Her poetry and personal essays have been published by manywor(l)ds, Samfiftyfive, Thread LitMag and others. Caiti lives and works in St. Louis, Missouri. Find her online @CaitiTalks.

Photo credit: “MacArthur Park” by Amy the Nurse via a Creative Commons license.


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Enough

By Alyssa Beatty

I add another rowan branch to the fire underneath the brazier and test the water with my pinky. Almost hot enough. A quick count of the bundles of herbs on the kitchen counter to make sure I have everything I need. Rose-tinted sunset streams in through my back door, propped open with a cinder block. It’s a signal to anyone who needs me.

First in is Mr. Murphy, who needs a tea for his arthritis. I decant a measure of hot water into an old glass Coke bottle, sprinkle in the herbs, and seal the top with wax.

“Let it steep until you get home. Drink it all. It’ll taste like ass, but it will help,” I tell him.

He ducks his head in thanks, holding out a loaf of fresh baked bread from his wife. He’s never said a word to me, but he’s also never missed a visit.

When he’s shuffled out the back door, I sit at the kitchen table, waiting. I should turn the radio on, for the illusion of company. But it seems like too much effort to get up again.

I turn the little mustang figurine toward the door, letting him see the sky. He’s my reminder, for days like today when I’m feeling worn out, of why I’m here. Mustangs were brought to a place they didn’t really belong and made it their own so completely that they became synonymous with their adopted landscape. I don’t belong here either. I’m a city girl at heart, more at home with concrete and steel than the endless flat plains that surround this speck of a town.

Some people think witches shouldn’t live in cities; that they need to have their feet on bare earth, see the sky and hear the wind in the trees. But those people have never harvested the energy of a crowd at a street fair or bathed naked in the moonlight reflected off a skyscraper.

Before I start to feel too sorry for myself, Martha Sperry knocks on the door. I’ve told her a million times if the door is open, she doesn’t need to knock, but small-town politeness is ingrained in her.

“Come on in, Martha. Need a refill?” I rise from the table, trying to disguise my weariness.

“Yes, please, ma’am.”

Martha’s son suffers from the worst case of cystic acne I’ve ever seen. Poor kid’s face looks like a map of the moon. He’d never agree to treating it with what I’m pretty sure Martha’s husband calls “devil’s brews,” but my tea works wonders for skin conditions. Martha’s been slipping it into her son’s dessert every night, and he’s come so far out of his shell he asked a girl to homecoming. Small victories.

I stir the herbs into the hot water, carefully pouring the brew into a yellow Tupperware bowl. As far as her husband knows Martha and I have been swapping soup in this bowl for the last three months. She takes it carefully and pulls out a hand crocheted rose and gold shawl, the exact colors of the sky outside. She’s really talented. I can’t help but picture her at an artisan market in the city, selling her wares for a hundred bucks a pop.

I need to stop thinking about the city. I’m here now. I stroke my finger along the mustang’s side. I picked him up at a swap meet on the trip here. He’s inexpertly cast, the metal lumpy and undefined on one side. But some magic leaked into his legs; they flow, capturing the joy of motion. He looks free.

It’s almost time. I dim the lantern on the table. The next client won’t want me to see her face or know her name. I wish I could concoct a tea that would take her shame and lay it squarely onto the man who should bear it. Lay it so squarely it puts him in the ground. I close my eyes and take deep calming breaths, visualizing my mustang, hooves thundering on the earth.

She slips in so quietly, trying to make herself small. My heart aches. Even in the dim light I can see the bruise blooming on her jaw. There are other bruises, too, I know, hidden under her loose sweatpants and oversized hoodie. On her wrists. Her thighs. She can’t be more than sixteen.

“Are you the lady they told me about? The one who helps . . . girls in trouble?’

“I am. Sit down. I’ll get started.”

“I don’t have money. The clinic . . . it used to be free.”

The clinic has been scorched rubble for two years now.

“I don’t take money.”

I scoop the water from the brazier with a jade cup, for peace.

“Will it hurt?” she whispers, as she watches me mix the herbs.

“Yes.” No use lying to her. “You’ll feel nauseated. You might throw up. And you’ll bleed. A lot. Drink ginger ale, real stuff, not Canada Dry, and rest as much as you can, until it’s over.”

“What will I tell my dad?”

There’s a lot of things I want to say to her father, none of them pleasant.

“Tell him you have the flu. The symptoms aren’t too far off. Burn or bury your pads, if you can.”

She nods, eyes downcast. Tears glimmer in the lanternlight.

“It’s not your fault, you know,” I murmur, filling the Coke bottle, melting the wax.

She clears her throat, taps her finger on the mustang’s nose.

“I like this. The way it looks like he’s running. Where’d you get it?”

“Someplace between here and San Francisco.”

“I’d like to go there, someday. Or anywhere, really.”

There’s no potion I can brew that will get her out of this town.

I offer her the bottle, and she slips it into her hoodie pocket. Just before she disappears into the night she whirls and hugs me, stick-thin arms around my waist.

“Thanks.”

I turn the lantern off. Starlight streams in; my mustang runs in their shimmer. I picture the girl running too, long legs skimming prairie grass, leaving this place behind. I picture it as hard as I can. Maybe it will be enough.



Alyssa Beatty lives and writes in Brooklyn, NY. Her work has appeared in Luna Station Quarterly, Flash Fiction Magazine, and Spread: Tales of Deadly Flora. Find her at alyssabeattywrites.com.

Photo credit: Madhu Madhavan via a Creative Commons license.


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The Sea Gazelle

By Bänoo Zan

                           For Ahoo Daryaei1


My body—my voice—

Time is out of joint
in this sea of forced hijabs

I wear a hoodie sweater to campus
To force me to wear a hijab
the Sharia militiamen rip it to shreds

I show you whose body this is—I roar—
Now that my torso is exposed—
I get out of my pants, too—

I announce independence—
walk down the street—tall as cypress—
My body is not my shame—

My arrest is a bloody scream
Plainclothes men beat me up—
bang my head against a car
and throw me inside—
The tires leave a trail of red

I am detained in a “psychiatric” ward
The only people with visitation rights  
are the Brigadier General of the Disciplinary Force2
Intelligence agents,

and pretend doctors who administer drugs
to drive me to insanity, confession,
and the insanity of confession

Waves besiege my protest
Pain pierces me as rape

I am restrained after attempts to escape—

I am a tempest in
a sea of subjugated resolves—

No ceasefire—between tyranny and freedom—

My body—is my weapon—

I am leaping out of waves



Bänoo Zan is a poet, translator, essayist, and poetry curator, with over 300 published pieces and three books including Songs of Exile and Letters to My Father. She is the founder of Shab-e She’r (Poetry Night), Canada’s most diverse and brave poetry open mic series (inception 2012). It is a brave space that bridges the gap between communities of poets from different ethnicities, nationalities, religions (or lack thereof), ages, genders, sexual orientations, abilities, poetic styles, voices, and visions. Bänoo, along with Cy Strom, is the co-editor of the anthology: Woman Life Freedom: Poems for the Iranian Revolution. 

Photo credit: Photoholgic on Unsplash.


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  1. Ahoo Daryaei, nicknamed “the science-research girl,” is a PhD student in French Literature at the Islamic Azad (Free) University, Science and Research Branch, Tehran, Iran. On November 2, 2024, security forces tore her clothes to teach her that she should dress modestly. She then stripped to her underwear and was arrested by plainclothes forces and detained and held against her will at a “psychiatric” hospital. “The sea gazelle” is a translation of her name: “ahoo” is gazelle and “darya” is the sea in Persian. ↩︎
  2. FARAJA, acronym for the Disciplinary Force of the Islamic Republic of Iran ↩︎

Assigned at Birth

By Ellen D.B. Riggle

I needed only search a few minutes to find the aging heavy cardstock piece of paper labeled in block letters across the top, “BIRTH CERTIFICATE.” I scanned a copy of this original document into a PowerPoint slide for a talk I was scheduled to give on so-called “bathroom laws”—legislation restricting who can use which public restroom. To illustrate how my restroom destiny was determined at birth, I clicked on the virtual highlighter button and looked at the picture on the screen searching for my “sex.” Within the faded decorative border is my name, parents’ names, date, time, and location of my birth, and the signature of the hospital’s “duly authorized officer.” In the lower left corner is my tiny baby footprint. However, nowhere is my “sex”—not a prompt nor a blank line. Nothing to highlight.

I checked the original document, thinking maybe this vital information did not scan properly. No, it simply was not there.

In 2016, North Carolina became the first state to pass a bathroom law, House Bill 2 (HB2), restricting access to public restrooms based on “biological sex,” defined as “the physical condition of being male or female, which is stated on a person’s birth certificate.” Although North Carolina was pressured by a coalition of activists and companies to effectively repeal HB2, by early 2025 fifteen states had legislation restricting restroom use based on sex or gender assigned at birth, including two states that have criminal penalties for anyone who runs afoul of the law. Several other states have legislation pending, and current presidential executive orders attempt to regulate access to sex-specific restrooms.

Confused, given the certainty of the legislators in North Carolina and other states that one only need consult the birth certificate to ascertain their sex, I began searching for more information. First, I checked with my brother, born in the same state as I, but in a different year and hospital. His birth certificate decisively declares “male.” Online, I found various images from my home state and others across time, almost all of which included “sex”—although interestingly, not all did.

The birth certificate is far more complex than most people would suspect. In the United States, birth certificates are issued by a variety of sources. Hospitals give new parents, like mine, a fancy piece of paper, sometimes referred to as “ceremonial” or tritely as a “souvenir.” It is not a government document. However, it is (using legal terms) primary, original, direct evidence of the actual birth. This piece of paper is what most people consider to be their birth certificates—especially when that is the title at the top of the document.

A different form, named something like “Registration of Live Birth,” is how a hospital reports to the appropriate county or state agency that a child was delivered alive, and records the date, time, and location (obviously for later astrological consultations), the baby’s name, parents’ names, and maybe other information such as sex and race. The resulting document is issued with an official embossed seal for proving citizenship. I checked the county’s “birth certificate” that I used to obtain a passport in the early 80s, and again found no report of my sex.

Intrigued, I continued searching for my restroom destiny.

Data about births are collected by states and reported to the federal government annually as mandated by the Vital Statistics Act. The federal government agency questionnaire of over 60 items for each birth is a relatively recent invention, and none of the information is mandatory. With no standard national form for birth certificates or registrations of birth, states and localities include different information in their files and create their own documents. Consequently, the National Center for Health Statistics estimates there are over 14,000 different variations of the birth certificate currently found in the United States.

I began to question the implications of this lack of decree of my sex. For example, what would I do the next time I flew through an airport in a state with a so-called bathroom law? What restroom would I be entitled to use? Would I be entitled to use the restroom at all? Would I use the “family restroom” even though I am not a family? Maybe I’ll fly only through airports located in states without such laws?

The legal sex on my driver’s license is listed as F. Seemingly, the DMV accepted my word for it when I turned 16, and it has been so ever since. X has never been an option where I live. Recently I paid for a new copy of what, in my county of origin, is now called a Certificate of Birth. It’s unclear when the certificate form was updated, but on the current version, my sex is listed as “female,” a designation not on prior documents and with no indication of when or how this was determined. In my mind, this is not my birth certificate; it is, at best, a sketchy administrative document of nebulous origin and uncertain validity.

Some legislators seem to have caught on to the birth certificate sex void, because several recent iterations of bathroom bills do not refer specifically to birth certificates but more generally to “sex assigned at birth.” Most legislatures have gone with that vague wording, but Montana lawmakers are quite graphic in their attempt to define sex. “Female” is a human with XX chromosomes and “produces or would produce relatively large, relatively immobile gametes, or eggs, during her life cycle.” “Male” is a human with XY chromosomes and “produces or would produce small, mobile gametes, or sperm, during his life cycle.” This wording ties sexing a baby to an event more than a decade in the future (puberty). Also, I personally find it disturbingly creepy that legislators are talking about human babies the way they do cattle. Perhaps they have forgotten that in the cattle farm economy, producers of small, mobile gametes have little value beyond ending up as a hamburger on someone’s grill.

Where I come from, long before kindergarten we learned it’s not polite to look up girls’ dresses or down boys’ pants. We simply took people at their word they were a girl, boy, astronaut, cute barking puppy, or a scary monster. And somewhere along the way, we learned that adults can be scary monsters, even if they don’t call themselves that.

I called my mother. She reported that in the delivery room the doctor made the classic announcement, “Congratulations, you have a baby girl!” She had never noticed this declaration was not on my birth certificate and was rather amused. I am certain she will not turn state’s evidence if I am arrested for violating a restroom law. Given there is no record of a gene map, nor hormone and hormone receptor test results, and my primary birth document is silent on the subject, I argue my sex is still a mystery.

Other states avoid “sex” by referencing “gender assigned at birth” in their legislation, ironically writing gender ideology into statutory code.

What gender was I assigned at birth? My mother often refers to me as her “awesome daughter.” But her heart and mind are big enough to know that not all daughters are assigned female at birth.

There is an Olin Mills portrait of my brother and me at ages 4 and 2, respectively, wearing matching blue tartan flannel shirts my mother made. Clearly she was enabling my early embrace of flannel lesbian chic. My gender could easily be called Midwest tomboy.

My father more than once referred to me as “he.” We fixed trucks, shot guns, rode motorcycles, and did all the things he would do with a son. In fact, he does have a son. Maybe sometimes in his mind he has two.

Perhaps my gender assigned at birth was never fully ascertained or reliably implemented.

I find a sense of freedom in my discovery that the document labeled BIRTH CERTIFICATE does not declare my sex. I know sex is not determined by a word on a piece of paper, and the simple sex binary is doomed by nature. Gender, often conflated with sex, seems even more complex. However, if we open our hearts and minds a little wider, it’s not so complicated.

One summer day, while standing in the yard talking to my neighbor, her four-year-old grandson looked at me and asked, “Do you have a penis?”

She and I were both caught off guard and smiled. I asked him, truly curious, “Why does that matter?”

He replied impatiently with another question, “Are you a boy or a girl?”

This is a question I had been asked several times before by children his age, usually to the horror of a nearby parent who was obviously afraid of my answer.

“Why does it matter?” I inquired.

“If you’re a boy we can play together,” he declared, obviously hopeful this was the case.

I left it to his grandmother to figure out the specifics of where he learned this rule and conduct a teachable moment.

“I’m neither. Sometimes both. We can play if you want.”

The answer satisfied him. We engaged in a very competitive imaginary car race around the yard, followed by a game of tag, ending with me on my back, balancing him in the air on my feet so he could spread his arms and make airplane sounds.

After a soft landing, he rolled over and put his feet up in the air, offering to lift me up so I could fly too.



Ellen D.B. Riggle is an award-winning educator and author, currently based in Kentucky. They hold a day job as a professor to support a semi-serious hiking habit. Their poems have been published in Rise Up Review, Pegasus, ADVANCE Journal, and Earth’s Daughters, and they are Executive Producer of “Becoming Myself: Positive Trans & Nonbinary Identities” (available free on YouTube).

Photo credit: Joy Gant via a Creative Commons license.


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Ode to America, November 6, 2024

By Joanne Durham

Oh America, I desperately want
to praise you, but even this poem
has begun wrong, like you began
wrong. How easily you claimed
the name of two continents,
the lands of other peoples. Here
you are, states untied, no belt
of decency holding them together,
all the rot of unentitled claims
shredding your fraying fabric.

Lying in bed before dawn, I fight
that rot creeping through my lungs.
I do not want to suffocate,
least of all from my own faltering
breath. So I walk out onto the deck
of this ocean-facing place
I call home. The stars are still the same,
Orion’s belt shines on, so close
to the Equator everyone on earth
can see it. Some woman like me
will stand beneath it as the sun shadows
away from her, in China, Ghana,
Greece, and marvel
at the three giant stars that hold
this belt secure. In ancient myths
those heavenly bodies make a bridge
to the world of souls. Few of us know
their names, but we know connection,
perhaps that is all we need to know—

The fog thickens as the sun rises,
even the sky doesn’t want to witness
the mayhem below. We are left
to navigate by our own constellations,
what shines true in our fragile lives.
I walk down to the beach, search
for a shark tooth, a reminder
of how old this earth is, how much
it has weathered.



Joanne Durham is the author of To Drink from a Wider Bowl, winner of the Sinclair Poetry Prize (Evening Street Press 2022) and the chapbook, On Shifting Shoals (Kelsay Books 2023). Her poetry appears in Poetry South, Vox Populi, CALYX, NC Literary Review and numerous other journals and anthologies. She lives on the North Carolina coast, with the ocean as her backyard and muse. Visist her website at www.joannedurham.com.

Photo credit: Yuriy Totopin via a Creative Commons license.


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Second Flags

By Annette L. Brown

I was slicing tomatoes from the garden, their rich juice nearly overwhelming the grooves in the cutting board, when I heard the story of Lauri Ann Carleton’s murder. I stopped to make sure I heard correctly, my knife hovering mid cut. Yes, Lauri Ann Carleton, 66 years old, died August 18, 2023 in Lake Arrowhead, California. Story details could not escape my ears when CNN broke for commercial: The Mag.Pi clothing store . . . a confrontation over a Pride flag . . . a man with a gun.

My husband, my dinner-prep partner, reached for me, rested his warm hand on my lower back as we stared at the TV. I remember wondering, What is happening to us? Sometimes, when I watch the news, I do not recognize my own country—the people I’ve imagined us to be.

Though not a member herself, Lauri Ann Carleton raised a Pride flag in honor of the LGBTQ+ community—a community defined by diversity and acceptance. She had been asked by various townsfolk to remove her flag. She refused. I imagined her pulling her Rainbow from its sleepy quarters each morning, placing it in its storefront holder, watching it catch the breeze. It fluttered there, a symbol of peace, defying those unable or unwilling to recognize its meaning.

                                                                        •

In war, people fight for flags, or at least for what they symbolize. I remember visiting the Marine Corp War Memorial in Washington D.C.—the sculptured image of six men pushing into place the second flag to be raised on Mt. Suribachi during the WWII battle at Iwo Jima. The first was not large enough to be seen across the island, not large enough to render the response to the second—gunshots of celebration and cries of joy from soldiers fighting on land and sailors in ships just offshore.

                                                                        •

The cries over Lauri Ann Carleton’s loss lacked celebration. The gunman killed a wife-mother-friend-community advocate, then fled the scene. Police followed. Now he’s dead. I wonder what fear terrorized the shooter’s heart, what war waged within, so horrific he had to kill over that flag. Community members mourned Lauri Ann Carleton by crowding her storefront with flowers, sidewalk-chalk messages, and Pride flags—the display, a greater rainbow than could ever be contained by a single flag. I studied the image of her shop until the explosion of color, ironically initiated by the gunmen, grew into a vice constricting my breath.

                                                                        •

The day I visited the Marine Corp War Memorial was hot and humid. I remember at one point a gust of wind wrapped loosely around the inside of my collar, lifting the hair from my neck. When I closed my eyes to receive that cooling restorative, I could almost hear the snap of the war memorial’s flag whipping in the chilled February wind of 1945; I could imagine how battling soldiers were lifted by the tendrils of hope streaming from the stars and stripes, though the battle waged on for weeks.

                                                                        •

When her family left Lauri Ann Carleton’s body at the hospital, a new flag, secure in its delivery packaging, awaited them on the porch. She died over a flag she had planned to replace, the colors the gunman despised, too faded for her commitment.

                                                                        •

Sometimes watching the news stings my eyes, hitches my breath. Still, I don’t seem to look away. Scientists who study these things report people respond more intensely to negative stories than to positive as measured by changes in heart rate and the electrical conductivity of skin. But some things have no accurate ruler. They cling to memory in immeasurable ways.

I didn’t go to Lake Arrowhead, didn’t see individuals placing rainbow gifts at the Mag.Pi storefront. I couldn’t tell if there were any gusts of wind. Yet I cannot forget. I wonder if Lauri Ann Carleton’s new flag is still nestled in the dark of its packaging. I suppose it doesn’t matter. That second flag doesn’t need to flutter from a pole for its tendrils to stretch hope toward us.



Annette L. Brown is a personal essayist and creative nonfiction writer who has pieces reflecting her love of nature, family, beauty, and humor in several publications including Flash Fiction Magazine, Every Day Fiction, several volumes of the Personal Story Publishing Project (Randell Jones) and in Bad Day Book, Parenting. Annette is grateful for the support and friendship of her writing group, the Taste Life Twice Writers. 

Photo credits: Pride flag by Cecilie Bomstad on Unsplash.


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Identity Theft

By Janan Golestané

My second-generation,
Iranian-Canadian
voice
speaks without an accent
in English.

It’s been known to recount
my many fortunes as the
daughter of an
Iranian woman who chose to leave Iran.
She, the only one of seven siblings to immigrate.
Me, the only one of my maternal family born with basic rights and freedoms.

My second-generation,
Iranian-Canadian
perspective
was then that I gained immensely
from my mother’s departure from Iran.
I won the lottery of opportunity
and a passport that would take me places
my family in Iran could only dream of.

My second-generation,
Iranian-Canadian
voice
speaks with an accent
in Persian.

Once it began reciting
Zan
Zendegi
Azadi1
in support of the youth risking everything to reclaim Iran,
it began recognizing
my many misfortunes as the
daughter of an
Iranian woman with no choice but to leave her home.
She, the only one of seven siblings in exile.
Me, the only one of my maternal family planted in distant, unfamiliar lands.

My second-generation,
Iranian-Canadian
perspective
is now that I paid a high cost and
took an immense loss
to grow freely and
with opportunities
someplace
my ancestors never set foot.

An entire diaspora,
robbed of our
homeland,
language,
culture,
family,
loved ones,
identity.

An entire nation,
robbed of our
selves,
self-expression,
self-determination,
free choice,
individuality,
identity.

Stolen versions of who we each
could’ve,
would’ve,
should’ve been.

Me, an Iranian that
could
bloom on the land she descended from,
would
seamlessly recite Persian poetry in her mother tongue,
should
sit in her spot around the sofreh2 with her people,
like her ancestors did.

Empty spots around a sofreh,
in place of fully constructed identities,
representing those
killed,
imprisoned,
exiled,
displaced,
oppressed,
robbed.

Identify theft
on a mass scale
added to a rap sheet of atrocities
spanning over 45 years.

So, I’ll keep using
my second-generation, Iranian-Canadian voice
to reclaim what was stolen
ta ba yek seda
be azadi bereseem.3



Writing under a pen name, Janan Golestané was forever changed—like so many Iranians and others—by the Woman Life Freedom movement. As a second-generation Iranian-Canadian woman for whom it is unsafe to set foot in the Islamic Republic of Iran, she was inspired and compelled to dive into her heritage, working to strengthen her mother tongue of Persian and reconnect with her cultural roots. She has since studied and memorized famous poems in their original language by such poets as Omar Khayyam, Rumi, Saadi, Sohrab Sepehri, Rudaki, and Baba Taher. In solidarity with Iranians fighting for freedom, this her debut published poem shares the journey of how her sense of self and belonging to the Iranian community was permanently altered by the Woman Life Freedom movement, as well as her commitment to sustained resistance against the Islamic Republic of Iran’s tyrannical and oppressive regime.

Photo credit: Nina Haghighi via a Creative Commons license.


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Thank you for reading! If you appreciate creative resistance and would like to support it, you can make a small, medium or large donation to Writers Resist from our Give a Sawbuck page.
______________________________________________________________________

  1. Transliteration of Persian protest slogan meaning, “Woman / Life / Freedom.” ↩︎
  2. Transliteration of Persian referring to a cloth on which food is served in Iranian culture. ↩︎
  3. Transliteration of Persian meaning, “Until with one voice / we reach freedom.” ↩︎

Ya-Ting (Iris)

By Ya-Ting Yu

“Iris sounds like a grandma name,” Samuel said, frowning. His large rugby hands sank into his sweatpants when he saw my face. “You’re no fun. It’s just a joke. And, I mean, it’s true.” He stuck his tongue out and shrugged, the Fly Emirates logo stretching across his chest.

His nonchalance made it worse, as if it were common sense, and I was too sensitive for the humour.

“I didn’t know,” I mumbled, heading to the kitchen for a glass of water, not thirsty, just wanting to drop the topic. When we met, he’d been eager to share his background, his faith, bridging our religious differences. But language? That never crossed his mind; he’d only known one. Four years as his girlfriend, my hair still bristled like quills at any reminder of my ESL status.

I’d researched “Iris” during undergrad, oblivious to its cultural nuances, proud of my foresight in choosing a name tied to a flower and visual anatomy, perfect for a photography student hoping to break into the industry. My earlier, teenage naivety had surely amused Samuel and Valerie.

“So you named yourself Iris?” Valerie’s sharp voice snapped me back to my studio apartment, where an IKEA bookshelf and a three-seater grey couch framed the room. Lavender Febreze lingered, a poor attempt to mask the bitterness of Chinese herbal tea, an aroma I’d hoped would fade before they arrived.

Valerie stretched her legs under my Hudson’s Bay blanket, pedicured toes peeking out. “That’s pretty cool. I wish I could’ve named myself. Hey—give me a Mandarin name!”

“Y-yeah, definitely. I can look up some names, but, you know, in Taiwan and maybe other countries, we give ourselves English names starting from a young age. My Korean and Chinese friends do too. It’s just something we—”

“Really? Why?” Valerie’s brows pinched into an uneven M, mirroring her brother’s exasperated face.

I opened my mouth, but no words came. Despite a decade in an English-speaking country, I still lacked the vocabulary to explain my urge to assimilate. It wasn’t about Samuel. No, it had begun long before his offhand comment—the summer I registered for a Canadian public school, my first time moving to a foreign country. The summer I turned fifteen.

•

“Have you picked an English name?” my aunt asked in Mandarin, twisting from the passenger seat. Next to her, my uncle fiddled with the radio dial while my parents turned to me. In the back, my cousin and little sister listened to what I assumed were traffic reports crackling through the speakers.

Through the SUV’s windshield, I watched the horizon split into a cloudless sky and endless highway lanes. The Toronto skyline loomed, intimidating yet wistful, like a crush I’d only dared glimpse from the back of a classroom.

“Iris,” I said, biting my lip, surprised at my daring.

The name had circled in my head like the low hum of an overhead vent since our plane left Taiwan. Fifteen hours offered plenty of time to contemplate a new name between naps and in-flight movies. We arrived in Toronto in mid-summer to settle in and finalize my registration. When September came, my parents and sister would leave me to start my new life on a continent where no one spoke my language.

“Good. Then you’ll introduce yourself as Iris,” my aunt announced with an approving nod. “Remember, prepare a self-introduction. You’re here to improve your English. So don’t go making friends with other Mandarin speakers.”

”Hao,” I responded like an obedient student, the word less a reply than a promise. I vowed to learn Canadian ways, speak their slang, and make my international tuition a worthwhile investment. I’d seen enough North American high school series to know how to blend in.

Yet, a new life needed a new name. Iris was a girl I admired at my cram school in Taipei. Although we attended the same English class twice a week all year, we weren’t friends, just classmates. I’d watch her from the corner, envying her dancer’s figure, perfect egg-shaped face, and wavy black hair, sometimes tied in a ponytail, sometimes braids. When she passed by, I’d sniff the air to identify her shampoo brand.

At cram school, I was Jenny, a name given by my elementary school teacher. I hadn’t objected; it felt special to have a foreign name. Only later did I realize how many Taiwanese girls were named Jenny, like guava in the grocery store, too common to catch anyone’s interest. It wouldn’t do. For my new school, I needed a less generic name, one that broke with my thick glasses and pudgy face. Iris was my new skin—a revised version, a 2.0.

Then, on that first day in the Canadian school, I wanted to hide in the washroom. I didn’t understand a word of the group activity. While my rehearsed introduction had gone without my throwing up, I hadn’t anticipated the teachers’ accents, quick pace, or the singing of the national anthem. My eyes darted as I tried to mimic the sounds on their lips. But no amount of High School Musicals and Taiwanese cram schools could’ve prepared me for this.

At least adopting an English name had made me my first friend, a non-Mandarin-speaking Iranian girl, with a tingling laugh and clear speech. She had accepted Iris as my name without question.

•

Now, Zahra’s hijab-wrapped smile stayed with me as I surveyed my studio. Would she understand? To me, it was as instinctive as picking up food with chopsticks, a survival strategy to take on a name others could read, say, and accept.

Across the floor, Samuel unfolded his legs, stood, and padded to the fourteenth-story balcony. He tsked, squinting at the pouring rain. To me, the rhythmic pusha pusha was oddly soothing. Silhouetted against the eerie brown sky, he turned to me.

“I don’t understand. Ya-Ting is an easy enough name to say.”

I parted my lips but didn’t correct his intonation. Samuel had practiced my Mandarin name when we first started dating, but it never sounded quite right. His initial interest faded into irritation. Over the years, other non-Mandarin-speaking friends had tried, but the tones in Ya and Ting dipped, then rose, unlike the syllabic stress of English. Saying my name meant speaking another language: Forget your norms, flex your tongues, and repeat after me.

•

“Ya-Ting Yu?”

I’d cringed at the sound of my full name through my Canadian teachers’ lips. Before preferred names became a concept, I’d written Iris in brackets on the attendance sheet, a hint for future references. The teachers seemed to sigh in relief, shoulders sinking imperceptibly, spared the challenge of pronouncing it. A non-English-sounding name felt isolating, like being singled out because your lunch was a pork bun instead of an avocado sandwich. My dark eyes, yellow skin, and fobby clothes brought from home couldn’t be helped, but my name was an identity I could reshape at will.

“Is it Yu or Ya? Which is your last name?”

I didn’t blame the teachers or, later on, the bank tellers and driver’s license officers. In Mandarin, family names come first. My name appeared as Yu Ya-Ting on my passport, spelled out below the Mandarin characters, a reminder of the group-over-individual mindset I grew up with. Serve the family before satisfying personal wishes. We before me. Had it started here, my desperate need to belong to the Canadian community? So ready was I to shed my Taiwanese label that I even considered changing my passport name to Iris. At least then, I wouldn’t have to answer those awkward questions at government offices.

•

Pusha pusha. The steady sound of water filling the Brita was comforting. In the kitchen, Samuel thudded over and slung an arm around my shoulders. “When we’re married, you’ll have a new last name—my last name.” My face warmed. I snuggled closer to his chest, the Fly from his jersey logo sticking to my cheek.

Though surname adoption in Taiwan was already a thing of the past, I’d always dreamed of taking his name, a way to cement my reinvented identity and secure my place in his white family. They seemed superior in every way, from physical stature to social standing. I never argued when they dismissed my tradition of ancestral worship or questioned their applause when I was baptized as Christian. So why hesitate to take their name?

From the couch, Valerie groaned about excessive PDA. I sprang back, brushing off a lingering unease, the kind you chalked up to overthinking, reminiscent of that first barbecue invitation from his family.

•

It was the Labour Day weekend after I’d graduated, my introduction to his congregation of relatives. His parents, siblings, aunts, and cousins clustered around in patio chairs, the air thick with laughter, smoke, and the aroma of sizzling chicken. Samuel’s uncles rotated shifts at the barbecue, catching the tail end of grilling season. Behind them, a forest of half-turned maple trees framed Lake Ontario, a time for family gatherings, though mine were an ocean away.

“Iris’s real name is Ya-Ting,” Samuel threw out casually after we’d all said grace, waving a skewer between mouthfuls.

“Don’t tell them,” I whispered, nudging him to stop. The only Asian at the table, I prayed to blend in like weathered patio furniture, not stand out like a neon bottle opener left on the table.

“Ya-Ting?” his mom echoed, confusion tightening her gaze as a spoonful of mashed potatoes halted mid-air.

Before other relatives jumped in with more questions, I waved my hand like wafting at an unpleasant odour. “Ignore him. Just Iris. By the way, this mash is so creamy. Did you put milk in it?”

His mom gave me a knowing look and leaned in, grinning while she revealed her sour cream recipe. I feigned interest, nodding and wowing on cue, but the hair on my neck rose, an instinct against his endless, innocent jokes. Perhaps I’d curled up too long, afraid of any prickle. Knocks came, but shame fixed me in place, my sharp spines a safe barrier against any curiosities, genuine or otherwise. No escape. I’d already swallowed the keys to the exit.

•

The sound of the overflowing Brita jolted me, though my mind felt dazed, still in the shadowy corner of my brain. I rubbed my temple, tuning out Samuel and Valerie in the apartment while I rummaged through the fridge.

A chill spread. My fingers landed on a buried, expired avocado, its scabby skin dark and soft under my thumb. I pulled it out, massaging the peel away. Inside, no part was redeemable.

“What’s that smell?” Samuel and Valerie called.

I bristled, wiggled my nose, and watched my shadow on the tiled wall grow quills. The reeking scent. My mouth. The taste was no different from a fresh avocado, creamy and melted on my tongue. At the back of my throat, their approval and my self-betrayal bubbled. I gulped some water and forced it down, determined to be every bit Iris, rotten or not. Skin to seed, my fantasy had become—I’d become.

•

Years later, people were too polite to ask, but they whispered behind my back, surprised, even outraged, that I’d ended my eight-year relationship with Samuel. I surprised myself too, at how I’d done it, by cheating. But I’d been living a lie for years: a false name, a misguided belonging. With each laugh alongside his family, the corners of my mouth grew stiff, like a poster girl trained to please. In the end, I forsook Samuel the same way I had myself, not out of malice or disregard, but as a last act to reclaim what I’d lost.

I remember his parting words: “Goodbye, Ya-Ting. That’s your real name. At last, something real about you.”

Those words haunt me, like his familiar hand on my shoulders, heavy, insistent. Shushing me, shoving me back into my self-inflicted prison, “liar, cheater” stamped on the walls. His fingers, once a loving gesture beneath my hair, now dig into my collarbones, an aching reminder of my sins, no matter the aliases I carry.

Today, if you ask, I have a complicated relationship with that hyphen. Sometimes, I write it as Yating and wonder how long I can keep up the pretence. This morning, however, I feel as though I’m uncurling, gently nudged by a friend whose smile recalls Zahra’s from high school, open and steady.

My best friend since moving to Edinburgh, Greta is on a mission to find the best kardemummabullar, a Swedish cardamom bun. We’re seated by the off-white Victorian window frame, watching Bruntsfield’s weekend brunch-goers bask in the start of Scottish warm weather, when she slides her pocket-sized notebook across the cafe table.

“How do you write your Mandarin name?” she asks.

I pick up her pen and ink the two characters, now foreign to my hand. “Ya is written with the tooth character next to this straight spine character. Together, they mean grace or elegance. Ting, here, has a girl and a gazebo. Don’t ask why,” I grimace, and a chuckle escapes. “But together they imply beauty.”

I slide her notebook back, then steal a glance. Greta doesn’t laugh or joke about the implications. She nods, earnest brown eyes glistening, the colour of her half-drunk coffee in the cardamon-scented nook.

“The characters are beautiful. Like paintings, not words,” she murmurs, gliding across them with slender fingers as if feeling the texture, each glossy black stroke etched into the crisp paper. Her touch softens the sharp edges, easing the stiff lines.

I study her and push back my chair, a feeling sticks in my throat. “I’ll . . . just get another bun. You want anything?”

Greta shakes her head, brunette strands falling over her face. I release the breath I’ve been holding and walk to the pastry counter, blinking away the sudden moisture behind my metal frames.

From the queue, her outline swims, bent over the notebook, pen gripped as though tracing my name onto a fresh page. Something mechanical clicks. A lock gives way. The hedgehog unrolls, stretches, and I lift my head to the April sun.



Ya-Ting Yu is a Taiwanese writer based in Taipei with roots in Toronto, Canada, and Edinburgh, Scotland. She recently earned a master’s in counseling from the University of Edinburgh and has since turned her focus to fiction and essays. Her work explores the lives of East Asian expatriates and international students. This is her literary debut.

Photo credit: stilinberlin via a Creative Commons license.


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Thank you for reading! If you appreciate creative resistance and would like to support it, you can make a small, medium or large donation to Writers Resist from our Give a Sawbuck page.

The Sunday After

By DW McKinney

the inauguration of the 47th President of the United States, we gather in the church sanctuary and sing the Black national anthem1. We mourn in unison. A week after the new president resumes his campaign of white (straight, male) supremacy, of “making America great,” of rolling back civil rights and liberties for marginalized people, we step backward in time with him. We borrow the strength of Buffalo Soldiers, Black infantrymen crooning the anthem as they fought on two fronts against fascists and discrimination in World War II. We borrow from our revolutionary leaders who belted the lyrics as they marched through segregated streets. We borrow from our greats and grands who sang for glory as they conducted sit-ins, and integrated schools, and lived and died and endured. Our lungs expel the words in the air around us, but we breathe them back into our souls again and again until our grief becomes a rallying cry.



DW McKinney is an award-winning writer and editor based in Las Vegas, Nevada. A 2024 TORCH Literary Arts Fellow, she is also the recipient of fellowships from PERIPLUS Collective, Writing By Writers, and The Writers’ Colony at Dairy Hollow. Her writing appears in Los Angeles Review of Books, Oxford American, Ecotone, and TriQuarterly. She serves as nonfiction editor at Shenandoah.

Photo credit: Cover of the Hawthorn Books 1970 edition of Lift Every Voice and Sing.


A note from Writers Resist

Thank you for reading! If you appreciate creative resistance and would like to support it, you can make a small, medium or large donation to Writers Resist from our Give a Sawbuck page.


  1. James Weldon Johnson, civil rights activist and a leader of the National Association for the Advancement of Colored People, originally wrote “Lift Every Voice and Sing” as a poem in 1900. It was later composed as a hymn, becoming a powerful refrain throughout the Civil Rights Movement. ↩︎