By Lorraine Schein
The Last Revolution was yesterday.
It was so successful, that all future revolutions were cancelled forever.
A lesbian and her lover were elected President and Vice-President.
Their lovemaking is televised nationally as part of the inaugural proceedings
and greeted with applause by an appreciative at-home audience.
Poets have been elected to Congress. It is now a requirement for election to any political office that the candidate be a poet.
Poems are published in every daily newspaper and online.
Headlines announce the dates of public readings and news about famous poets.
Crowds go to hear poets the way they used to go to see rock stars or football games.
They cheer loudly, in iambic pentameter, for their favorite poet.
“I can’t wait to go to tomorrow’s poetry reading!” people say,
and tickets are sold out months in advance.
Work has been abolished by the smashing of clocks and digital time devices.
Now there can be no office work, or work at all, since there is no way
of measuring a workday.
The gods and goddesses return, and run rampant.
Children and animals are allowed to run for president also.
Next election day, a little girl and her teddy bear running-mate
look to be the winning ticket.
For toys have been given equal rights and a voice, too—
in what matters most.
Lorraine Schein is a New York writer and poet. Her work has appeared in VICE Terraform, Strange Horizons, NewMyths and Michigan Quarterly, and in the anthologies Wild Women and Tragedy Queens: Stories Inspired by Lana del Rey & Sylvia Plath. The Futurist’s Mistress, her poetry collection, is available from Mayapple Press. Her book, The Lady Anarchist Cafe, is available from Autonomedia.
Image credit: Beatrice Murch via a Creative Commons license.
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