Skin

By Frances Koziar

Skin colour
does not dictate culture—

I could tell you all the ways
that this is true, speak of abandonments
and adoptions that sink deeper
than flesh, of homes and not-homes,
of the erratic mixing
of bloodlines; instead
I want to say that being white
but not White
puts you in a unique
kind of danger.

We are attacked
by our own and our allies, attacked
for expressing what we love
in the name of appropriating our own
cultures, our identities
disbelieved because all they can see
is the spiky shell of the lychee, not
the sweet fruit encased
inside.

I want to tell you that wearing
an amulet of protection draws crosshairs
of attention when all I want is to bare
my identity, to love a homeland
that is as much a part of me as the privilege
of my colour, to reveal some
of the tender sacred parts of myself that I yearn
to share as I reach out to others

But I also
understand—I too
have seen first-hand how some
beliefs are disagreed with, while others
are just laughed at. I

know the pain of mockery
for believing in animism or the magics
found across so many cultures,
have seen the glassy stares and the
this-is-a-joke-right? smiles
when my eyes are filled with feeling,
have felt the twisting in my gut when I
am silenced one way
or the other, watching
other whites wear what they want
without a second thought to having
their people ridiculed by those choices
or their ancestors
silenced.

            They are lions
who’ve never had to shave the precious
gold of their fur
for safety; have never watched
each beautiful strand fall like wishes
that will never come true, never
known how it feels to hide
the gifts of their identities like stolen
property lest they be mis-
understood, until the very ground
beneath them has become soft
with their lies.



FRANCES KOZIAR has published poetry in over 45 different literary magazines, including The New Quarterly, Acta Victoriana, and Vallum. She is a young (disabled) retiree, a painter, a gamer, and a social justice activist living in Kingston, Ontario, Canada. Visit her website.

Photo by Philbo 🇺🇦 on Unsplash.


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Brown, Orange, and Beige Like Caramel

By Alexander Schuhr

 

“Maybe you want to play with him,” the woman says, leading the little girl toward a toddler sitting in the sand. The boy doesn’t need anybody to play with. He is completely absorbed with his task of shoveling sand into a bucket. Nevertheless, this woman seems terribly eager to see her girl join him in this endeavor. She proceeds to drag her child away from my daughter.

For my daughter, the fact that everybody has a different color is as self-evident as mundane. Her stuffed dinosaur is green, her plush duck is yellow, and she has a pink teddy bear. Similarly, mommy is brown. (A more accurate description than “black.”) Daddy is orange. (Inaccurate, as far as I’m concerned, but so is “white.”) She describes herself as “beige like caramel,” sometimes clarifying “like Leela,” an Indian-American character in Sesame Street, portrayed by the actress Nitya Vidyasagar. (Comparable complexion, though different ethnicity—but why would she care about that?) In the protected world of our home, I have a comparably innocent approach to skin color. In the outside world, however, a different reality imposes itself.

In the two years of her life, my daughter has undergone a complex transformation of racial identity, unbeknownst to her. For some time after her birth, her complexion remained very similar to mine, and her hair was straight. People considered her Caucasian. On more than one occasion, my wife was asked, with an insolent tone of disbelief, if she was the mother. Then, there was an extended period of ambiguity. The child’s hair became curlier. Her once milky skin tone turned into café au lait, still with lots of milk but just enough coffee to keep people guessing. Few would guess out loud, of course. People feel much too uncomfortable talking about race. I’ve seen them several times, the relieved expressions on faces, like when a bothersome puzzle is solved, when either my wife or I appeared next to the other, thus clarifying my daughter’s race.

Her skin became only slightly darker. At some point, she must have crossed a threshold, though, and the “one-drop rule” went into effect. Then she was no longer “ambiguous” but “black.” Suddenly it was an overwhelming majority of black people, occasionally other “people of color,” who would interact with her, call her cute, and tell me how beautiful she is.

Along with her apparent transformation to “blackness,” came my worry that she may be subjected to the same vicious, sneaky forces that I’ve seen too many times applied to my wife. Social scientists call them “new racism” or “racial microaggressions,” these subtle traces of racial bias in everyday situations. They are faint symptoms of a social disease, well known to virtually any minority group, yet often unacknowledged by the Caucasian majority. They are harder to spot than the hateful slogans of the white supremacist with the swastika tattoo, the degrading slurs of the hooded clansman, or even the thinly disguised attacks of the populistic demagogue that are effortlessly decoded by his intended audience. No, new racism is subtler, less identifiable. It is conveyed by the flight attendant whose cheerful demeanor becomes cold and distant when serving an Asian passenger, by the group of giggling co-eds that turns silent when the Hispanic classmate enters the lecture theater, or the motorist who, while waiting for the green light, feels compelled to lock the car when he spots the Black pedestrian on the sidewalk. The ambiguity of these signals makes it difficult to identify their nature. Each isolated incident may be vague and open to alternative interpretations, but their aggregation makes all doubt vanish.

And now there is that woman, who pushes her daughter away from mine, toward the deeply absorbed toddler with the shovel. She gives me a nervous smile, which reveals uneasiness as well as defiance. I don’t smile back. While I feel offended by her action, I cannot be certain of its meaning. Part of the viciousness of subtle racism lies in its obscurity to the recipient, and sometimes even the perpetrator. Consequently, I find myself wondering whether I am too suspicious. Maybe it’s innocent. Maybe she knows the little boy and fears he is lonely or bored. Maybe she fears older kids (my daughter is not older than hers, but unusually tall for her age). Maybe she fears me, the only dad on the playground. I try to find other explanations, but cannot ignore the one reason that seems to be an obvious possibility, and I dread the day this reason may appear equally possible to my little girl.

Yet, it is a bitter truth that she will become aware of racism in its subtle and not so subtle forms. And it is my duty to prepare her, so that she will be able to identify the deficiency in the senders of such messages and never attribute it to herself. It is a duty I face with the utmost determination, but also with profound sadness. I cherish our protected world, where people are simply brown, orange, or beige like caramel.

 


Alexander Schuhr is an author, essayist, and scholar. He was born and raised in Munich, Germany. Before coming to the United States, he lived in various countries in Europe and Sub-Saharan Africa. He holds an M.A. in political science and a Ph.D. in economics. He writes fiction and creative nonfiction.

Photo credit: Kevin Pelletier via a Create Commons license.

This essay previously appeared in Brain, Child Magazine and The Good Men Project.