Two Poems by Margaret Bleichman

A Fresh Take on Historic Integrity

Boone Hall Plantation and partnering architects
are proud to share that the Cotton Gin House

built in the 1850s for cotton processing

will keep its original brick exterior
to maintain its historic integrity

but will be completely renovated inside


The remodeled Cotton Gin House features
a new visitor center, gift shop, event space

a museum highlighting centuries of history
The finished product will add

to the continued history of Boone Hall

Boone Hall Historic Gin House
newly restored, a fresh take on history
provides any event a timeless backdrop

With views overlooking award-winning gardens

The Gin House, perfectly perched

in the center of the action of Boone Hall

Perfect for a party of 80 with sit down

up to 100 standing

We require an insurance policy

$1,000,000 worth of general liability

Take the Boone Hall experience to the next level

Or: How to White-Wash History

the corporate descendants of Boone Hall enslavers
where enslaved labor toiled to enrich Charleston County
with thousands of bricks made by unpaid enslaved hands
as we are the original experts of polite façade
according to our unassailable definition of integrity
we’ve removed inconvenient and unpleasant reminders

ghosts of kidnapped Africans and their children
to earn a generous profit on our “Lost Cause” mythology
designed for the comfort of the white visitor
daily and continuing violations to centuries of harm
and ensure the continued erasure of Black history

a house of deprivation, starvation and violence
as the actual history is too much of a downer
perfect for revisionist “Tara” fantasies

where barefoot children picked cotton dawn to dusk
like spiked iron collars placed upon enslaved shoulders
that was slapping, kicking, punching and whipping

on newly polished floors covering blood-stained ground
for a true fake experience, stand 14 hours without break
much as our forebears insured their human property
tho’ we accept no accountability for our past brutality
help us help you put as many levels as possible

between Boone Hall and its true history

Note: The left column contains direct quotes from local news and Boone Hall Plantation websites.


Etymology of the Erased

with deep respect to the Nipmuc Nation

Nipmuc: nippe– ‘fresh water’, amaug– ‘fish taken by the hook’   ̶  Algonquian
            Fresh water people flourish
            call Nippenet home for twelve thousand years
            cherish the lion, black birch and white pine

            thank Manitoo for abundant waters
            for largemouth bass and rainbow trout
            and pray for all living creatures

reservare: ‘to keep back’   ̶  Latin
            Wash ashores seep inland, ghostly,
            convert forest to property
            extinguish the lion

            convert Nipmuc people to Christian
            ‘Praying Indians’ (pray or die)
            then enslave or slaughter them, anyway

            and imprison the rest on Deer Island, Boston
            no water, no food, no shelter, in winter
            Few survive, some escape

Quaben: ‘place where many waters meet’   ̶  Nipmuc
            Snow-melt rivers tumble down
            a ring of mountainsides, sustain
            a fertile valley, fill a modest lake

            Boston dwellers thirst for more, claim the basin
            as their own, dam the rivers, flood and drown
            settler farms and four whole towns a hundred miles away

Qunnonoo: ‘mountain lion’  ̶  Nipmuc
            Fresh qunnonoo scat confirms
            Dakota lion’s eastward trek
            from Black Hills to the Quabbin rim

Waban: ‘the wind, the spirit’; a Nipmuc elder of the 1600’s; a suburb of Boston  ̶  Nipmuc
            Mystery figure glides long and low
            through Waban yards, and lopes
            past bikes and sand toys, sleek and muscled

            its three-foot black-tipped tail
            distinctive in the pre-dawn mist
            cub or prey dangling from its jaws



Margaret Bleichman is an emerging poet, queer activist and educator with writing in, or forthcoming in, Gyroscope Review, Poets Reading the News, Kitchen Table Quarterly, Fifth Wheel, Fauxmoir, The Dewdrop, and Between Us. Their poetry has won awards in two Joe Gouveia Outermost Poetry contests. A software engineer and professor, they helped establish LGBTQ+ health benefits and STEM programs to engage underrepresented students.

“Erased” by Rob Williams via a Creative Commons license.


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